http://hdl.handle.net/2160/6075 2013-05-19T10:34:24Z 2013-05-19T10:34:24Z Greer, Stephen http://hdl.handle.net/2160/6078 2013-05-10T15:59:54Z 2010-10-01T00:00:00Z

The Little Review Greer, Stephen Greer, S., 'The Little Review', Seminar: International Theatre Collection, Centre for Performance Research, October 2010

2010-10-01T00:00:00Z Thomas, Sarah http://hdl.handle.net/2160/6077 2013-05-10T15:59:54Z 2010-10-01T00:00:00Z

American Theatre to Cinema: Stardom and spaces Thomas, Sarah Starting point in trying to anchor looking at all the material… Link to my own research – book on Peter Lorre. German Theatre pamphlets of the 19th & 20th Century. Delved in… But too easy! The second envelope I looked at: a Lotte Lenya memorial piece. And there he was – a record of his performance in Spring’s Awakening. A photo I hadn’t come across before. But need to move beyond the mere photograph as record – and here’s where Lorre falls as a subject. This wouldn’t have got me too much further in my own work. It’s primary value to me is aesthetic here – because the relationship with Lorre. German Theatre is so well documented elsewhere. Thomas, S., 'American Theatre to Cinema: Stardom and spaces', Seminar: International Theatre Collection, Centre for Performance Research, October 2010

2010-10-01T00:00:00Z Allen, Richard http://hdl.handle.net/2160/6076 2013-05-10T15:59:53Z 2010-10-01T00:00:00Z

Stage Effects and Other Theatre Machinery Allen, Richard I entered the collection with an agenda: I wanted to locate the material it held on stage machinery; trap doors, revolving stages, fly towers and winch systems, and - if I was lucky, trick props and stage effects, items that have become known as ‘burlesque paraphernalia’ or ‘side degree specialties’. As well as the larger machines, I went looking for the bucking goat, the exploding cigar and the collapsing chair... Allen, R., 'Stage Effects and Other Theatre Machinery', Seminar: International Theatre Collection, Centre for Performance Research, October 2010

2010-10-01T00:00:00Z