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<title>School of Art</title>
<link>http://hdl.handle.net/2160/806</link>
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<rdf:li rdf:resource="http://hdl.handle.net/2160/14036"/>
<rdf:li rdf:resource="http://hdl.handle.net/2160/14037"/>
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<dc:date>2013-05-20T13:55:44Z</dc:date>
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<title>Edgar Hollaway: artist who was central to the Etching Revival between the Wars</title>
<link>http://hdl.handle.net/2160/14036</link>
<description>Edgar Hollaway: artist who was central to the Etching Revival between the Wars
Meyrick, R. K.
Invited half-page illustrated obituary
</description>
<dc:date>2008-11-18T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/2160/14037">
<title>Edgar Holloway: painter-etcher of Eliot an Spender and the last survivor of Eric Gill's Ditchling group of artists</title>
<link>http://hdl.handle.net/2160/14037</link>
<description>Edgar Holloway: painter-etcher of Eliot an Spender and the last survivor of Eric Gill's Ditchling group of artists
Meyrick, R. K.
Invited full-page illustrated obituary
</description>
<dc:date>2008-11-22T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/2160/14035">
<title>Edgar Holloway: artist best known for his etched portraits</title>
<link>http://hdl.handle.net/2160/14035</link>
<description>Edgar Holloway: artist best known for his etched portraits
Meyrick, R. K.
Invited full-page illustrated obituary
</description>
<dc:date>2008-11-17T00:00:00Z</dc:date>
</item>
<item rdf:about="http://hdl.handle.net/2160/13957">
<title>From the Shadows: The Prints of Sydney Lee RA (1866-1949)</title>
<link>http://hdl.handle.net/2160/13957</link>
<description>From the Shadows: The Prints of Sydney Lee RA (1866-1949)
Meyrick, Robert Kendall
This long overdue appraisal of the art of Sydney Lee RA (1866–1949) offers an opportunity to rediscover the work of one of Britain’s most significant yet overlooked painter-printmakers. By the age of thirty Lee had positioned himself among London’s artistic elite. For the next four decades, he travelled throughout Britain and Europe in search of subjects, exploring epic vistas, geological formations and the play of light and shade on ancient architecture. Lee did much to advance printmaking as an original expressive art form. Experimenting with a wide variety of print techniques and exploiting their unique qualities, he repeatedly pushed the boundaries of traditional practice. Few early 20th-century British printmakers were in command of such a broad range of graphic media. Despite his many achievements, Lee did not gain the lasting critical acclaim that his art merits. Not since 1945 has there been an exhibition devoted to his work. Together with the publication of the first complete catalogue of his prints by Robert Meyrick, this exhibition will draw Sydney Lee out from the shadows.
A touring exhibition researched and curated at the invitation of the Royal Academy of Arts, London, 27 Feb. 2013 - 26 May 2013. School of Art Museum and Gallery, Aberystwyth University 17 June - 6 Sept. 2013.
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<dc:date>2013-02-26T00:00:00Z</dc:date>
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