http://hdl.handle.net/2160/3 Mon, 20 May 2013 05:54:15 GMT 2013-05-20T05:54:15Z http://hdl.handle.net/2160/13958 Susan and Darren Banham, Simon Banham Simon, 'Susan and Darren', Portfolio of performance documentation, Contact Theatre, Manchester; Belfast, Coventry, Edinburgh, Taunton, Aberystwyth. (2006) RAE2008 Sun, 01 Jan 2006 00:00:00 GMT http://hdl.handle.net/2160/13958 2006-01-01T00:00:00Z http://hdl.handle.net/2160/13937 Ras Goffa Bobby Sands Ladd, Eddie Bu Bobby Sands farw ym 1981 tra’n ymprydio yng ngharchar Long Kesh yn Belfast. Ei nod oedd ad-ennill statws gwleidyddol i’r carcharorion gweriniaethol. Wedi chwilio ymhellach daw i glawr ei fod wedi bod yn aelod o glwb rhedeg yn Belfast ac iddo fod os nad yn rhedwr penigamp, yn un brwdfrydig a llawn hwyl. Ysgrifennodd am redeg tra’n y carchar a’r ysgrif ‘The Loneliness of a Long-distance Cripple’ yw man cychwyn y darn dawns hwn gan Eddie Ladd. Sail y coreograffi yw rhedeg ac mae’r rhediad hwn, ar beiriant rhedeg mawr, yn olrhain y 66 niwrnod y bu’n ymprydio. Comisiynwyd sgôr electroacwstig arbennig i’r darn gan y cyfansoddwr Guto Puw. Bobby Sands died in 1981 on hunger strike in Long Kesh prison in Belfast. His aim was to win back political status for its republican prisoners. It’s less well known that he was a member of a running club in Belfast as a young teenager and was, if not a champion racer, a useful one. He wrote about running during his time in prison and his short essay, ‘The Loneliness of a Long distance Cripple’, is the starting point for this dance piece by Eddie Ladd. The choreography is based on running and this performance, on a large-scale running machine, follows the 66 days of his hunger strike. The piece is performed to a specially commissioned electroacoustic score by Welsh composer Guto Puw. Thu, 29 Oct 2009 00:00:00 GMT http://hdl.handle.net/2160/13937 2009-10-29T00:00:00Z http://hdl.handle.net/2160/13934 One thing leads to another Brookes, M. J.; Casado, Rosa A long-term practice based research project, initiated in 2007, exploring small-scale public intervention and sculptural object work as both a tool and context for direct social reflection. Producing a series of intimate public events and gallery works, and reflecting on understandings and assumptions within our construction of history and ideas of human progress. Developed with the context of Brookes' on-going artistic collaboration with Spanish artist and performer Rosa Casado. Exhibited and performed. Documentation is available. Sun, 01 Jan 2012 00:00:00 GMT http://hdl.handle.net/2160/13934 2012-01-01T00:00:00Z http://hdl.handle.net/2160/13463 Contemporary British Queer Performance Greer, Stephen This book examines queer performance in Britain since the early 1990s, arguing for the significance of emerging collaborative modes of practice. Using queer theory and the history of early lesbian and gay theatre to examine claims to representation among other things, it interrogates the relationships through which recent works have been presented. contracted: Yes Fri, 01 Jun 2012 00:00:00 GMT http://hdl.handle.net/2160/13463 2012-06-01T00:00:00Z