Introduction

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dc.contributor.author Alden, Natasha
dc.date.accessioned 2008-11-11T09:42:37Z
dc.date.available 2008-11-11T09:42:37Z
dc.date.issued 2007
dc.identifier.citation Alden , N 2007 , ' Introduction ' Critical Quarterly , vol 49 , no. 2 , pp. 34-38 . en
dc.identifier.issn 1467-8705
dc.identifier.other PURE: 83436
dc.identifier.other dspace: 2160/1009
dc.identifier.uri http://hdl.handle.net/2160/1009
dc.description Alden, N. L. (2007). Introduction. Critical Quarterly, 49 (2), pp.34-38 RAE2008 en
dc.description.abstract The articles that follow, written during the ‘McEwan plagiarism furore’ in 2006, all pose the same question: how should we write about the past? How should a novelist handle historical material in their work? What can fiction do with history that history cannot? Different commentators defend or attack McEwan on different grounds, an indication in itself of how grey an area literary plagiarism is. No one can agree on what constitutes plagiarism – is it the copying of phrases, or can it also be the borrowing of scenarios? Is it a question of degree, of how much material is used, and of how much it is changed? Can acknowledging your sources defuse it? These pieces offer a variety of answers. en
dc.format.extent 5 en
dc.language.iso eng
dc.relation.ispartof Critical Quarterly en
dc.title Introduction en
dc.type Text en
dc.type.publicationtype Article (Journal) en
dc.identifier.doi http://dx.doi.org/10.1111/j.1467-8705.2007.00774.x
dc.contributor.institution Department of English and Creative Writing en
dc.description.status Peer reviewed en


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