Browsing Performance Research by Issue Date

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Browsing Performance Research by Issue Date

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  • Theatre/Archaeology: Disciplinary Dialogues 
    Pearson, Michael John; Shanks, Michael (Routledge, 2001)
    Theatre/Archaeology is a provocative challenge to disciplinary practice and intellectual boundaries. It brings together radical proposals in both archaeological and performance theory to generate a startlingly original and ...
  • Carrying Lyn 
    Brookes, Michael; Pearson, Michael John (2001)
    'Carrying Lyn' was commissioned by Chapter, Cardiff and performed in the arts centre and on the city streets. The work was realised within the context of Mike Brookes and Mike Pearson's long term collaboration, under the ...
  • The Water Banquet 
    Downing, Richard (U-Man Zoo (Performance Research Company), 2001)
    'Water Banquet' is the generic title of a series of performance and installation works stemming from the placement and animation of an extraordinary table of water, thirty feet long and six feet wide. Each manifestation ...
  • The Wardrobes Project 
    Downing, Richard (2001)
  • Psychoanalysis and Performance 
    Campbell, Patrick; Kear, Adrian (Routledge, 2001-05-24)
    Never before has the relationship between psychoanalysis and performance been mapped out, either in terms of analyzing the nature of performance itself, or in terms of making sense of specific performance-related activities. ...
  • Rain Dogs 
    Brookes, Michael; Pearson, Michael John; Thomas, Ed (2002)
    'Rain dogs' was presented at Chapter, Cardiff, supported by a production grant of £15,000 from the Arts Council of Wales. The work being realised in collaboration with Mike Pearson and Welsh playwright Ed Thomas, and ...
  • The Water[war]s 
    Greenhalgh, Jill; Brookes, Michael (2002)
  • The Last Supper 
    Gough, Richard (2003)
  • Aqua Impura/ The Water Banquet 
    Zoo, U-Man; Downing, Richard (2003)
    Aqua Impura is delivered to an audience of only eighteen gathered at the table. Borrowing the structure of social dining, these eighteen guests are served a series of offerings (grouped as 'Beginnings', 'Middles' and 'Ends') ...
  • EatEat/ Rantsoen 
    Banham, Simon (2003)
    EatEat: a performative meal created with Leicester based refugees and asylum seekers. Audience and performers sat together around a 10m long concrete table in Leicester's oldest building, the Guildhall. Sharing a meal or ...
  • Las Sin Tierra (7 attempted crossings of the Straits) 
    Greenhalgh, Jill; Brookes, Michael; Casado, Rosa (Teatro Nomad [Spain], 2004)
    This is the first piece by Nomad Teatro. It asks questions about the phenomenon of migration. The project starts from the social, economic and cultural conflict that affects our daily lives - the movement of people from ...
  • There's someone in the house 
    Brookes, Michael; Pearson, Michael John (2004)
    'There’s someone in the house…' was commissioned by the 'site/sight:source/resource' symposium, University of Exeter, and presented at Exeter Phoenix, supported by a production grant of £1,250. The work being realised ...
  • White Trash 
    Banham, Simon (Quarantine Theatre Company, 2004)
    White Trash is a dirty ballet of reality. It was created with and performed by seven young white working-class men from Manchester. They played pool and the audience watched. Out of the banality of their game and their ...
  • The Anxiety of the Image 
    Kear, Adrian (2005)
  • Troublesome Amateurs: Theatre, ethics and the labour of mimesis 
    Kear, Adrian (2005)
  • Susan and Darren 
    Banham, Simon (Quarantine, 2006)
  • The Parcel 
    Downing, Richard (U-Man Zoo (Performance Research Company), 2006)
  • Desire Amongst the Dodgems: Alain Platel and the Scene of Seduction 
    Kear, Adrian (Routledge, 2006)
  • Paradise 2 (the incessant sound of a falling tree) 
    Brookes, Michael; Casado, Rosa (2006)
    'Paradise 2' is a thirty minutes performance event, reflecting on contrasting themes of tourism and economic migration. The work initiated Brookes' long term artistic collaboration with Spanish artist and performer Rosa ...
  • A Performance Cosmology (Testimony from the Future, Evidence of the Past) 
    Christie, Judie; Gough, Richard; Watt, Dan (Routledge, Taylor and Francis, 2006)
    Exploring thirty years of work by The Centre for Performance Research (CPR), A Performance Cosmology explores the future challenges of performance and theatre through a diverse and fascinating series of interviews, testimonies ...

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