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Now showing items 52-71 of 116

Las Sin Tierra (7 attempted crossings of the Straits)

Greenhalgh, Jill; Brookes, Michael; Casado, Rosa (Teatro Nomad, 2004)

This is the first piece by Nomad Teatro. It asks questions about the phenomenon of migration. The project starts from the social, economic and cultural conflict that affects our daily lives - the movement of people from ...
The Last Supper

Gough, Richard (2003)
Lifeguard

Department of Theatre, Film and Television Studies; Performance Research; Brookes, Michael Jonathan (2012)

Site-specific lighting design for the located performance work 'Lifeguard' (Howells, A. and The National Theatre of Scotland, 2012). Commissioned and realised within a specifically restored swimming pool of the recently ...
The Little Review

Greer, Stephen (Prifysgol Aberystwyth | Aberystwyth University, 2010-10)
The lunatics are on the loose... European Fluxus Festivals 1962-1977 (Exhibitions, Conferences, Actions, Publications)

Roms, Heike; Stegman, Petra; Delin Hansen, Elisabeth; Van der Meijden, Peter; Riviere, Henar; Ugelstad, Caroline (Down With Art!, 2012-07-12)
The Lure of the Local, the Seduction of the Global: Locating Intermediality in Eddie Ladd's Scarface*

Roms, Heike Pearson (Cambridge Scholars Publishing, 2010-04-01)
Make Believe

Department of Theatre, Film and Television Studies; Performance Research; Brookes, Michael Jonathan (2009)

Lighting design for the theatre work 'Make Believe' (Quarantine, 2009), developed within the context of Brookes' long-term collaboration with the company. Initially produced and presented at Contact, Manchester, in 2009; ...
Make Believe/Impossible Things Before Breakfast : Quarantine co-production with Contact Theatre, Manchester (Supported by the Arts Council England) The researcher’s design work questions how we separate the 'real' from the 'made up' in a theatre by utilising a meta-theatrical frame to illuminate the ordinary and mundane, provoking an examination of notional “realities”: in this case those from which our beliefs/attitudes are formed.

Banham, S. (Quarantine, 2009-10-28)

The creation of a new piece of work by Quarantine. 'Make Believe' investigates the nature of belief from a range of positions religious, political, philosophical and neurological. Posing questions about when we decide to ...
Mapping Performance Art in Cardiff

Roms, Heike (Chapter Arts Centre, 2008-10-19)
No Joke in Petticoats : British Polar Expeditions and Their Theatrical Presentations

Pearson, Mike (2006)

By late March 1902, the British National Antarctic Expedition's ship Discovery was frozen in. Atop the ice, the explorers erected a hut, which was fitted with a stage, scenery, and footlights. The Royal Terror Theatre ...
Old People, Children and Animals

Department of Theatre, Film and Television Studies; Performance Research; Brookes, Michael Jonathan (2008)

Lighting design for the immersive theatre work 'Old People, Children and Animals' (Quarantine, 2008), developed within the context of Brookes' long-term collaboration with the company. Initially produced and presented at ...
Old People, Children and Animals : Scenographic design work for Quarantine Theatre Company extending the researcher’s canon of work with Quarantine in developing new thinking and practices of performance, involving innovative and creative scenographic research that extends the range, depth and application of current scenographic thinking.

Banham, S. (Quarantine, 2008-06-11)
On Dramaturgy

Gritzner, Karoline; Primavesi, Patrick; Roms, Heike Pearson (2009-10-01)
On Philosophy and Participation

Cull, Laura; Gritzner, Karoline; Performance Research; Department of Theatre, Film & Television Studies (2011-12-31)

This is a co-edited issue of Performance Research which includes an essay by Gritzner ('Form and Formlessness: Participation at the Limit'), a conversation (interview) by Gritzner ('On Participation in Art: A Conversation ...
One thing leads to another

Brookes, M. J.; Casado, Rosa (Unknown Publisher, 2012)

A long-term practice based research project, initiated in 2007, exploring small-scale public intervention and sculptural object work as both a tool and context for direct social reflection. Producing a series of intimate ...
Oral History as Site-Specific Practice: Locating the History of Performance Art in Wales

Roms, Heike; Edwards, Rebecca (Springer Nature, 2011-11-01)
Paradise 2 (the incessant sound of a falling tree)

Brookes, Michael; Casado, Rosa (2006)

'Paradise 2' is a thirty minutes performance event, reflecting on contrasting themes of tourism and economic migration. The work initiated Brookes' long term artistic collaboration with Spanish artist and performer Rosa ...
The Parcel

Downing, Richard (U-Man Zoo (Performance Research Company), 2006)
Paul Bright's Confessions of a Justified Sinner

Department of Theatre, Film and Television Studies; Performance Research; Brookes, Michael Jonathan (Edinburgh International Festival, 2013)

Lighting design for the installation and theatre work 'Paul Bright's Confessions of a Justified Sinner' (Untitled Projects, 2013), developed within the context of Brookes' on-going collaboration with the company. Created ...
The Perfect Human (and the things we do) : A performance research project considering how a performance event can be sustained through individual acts of genuinely daily behaviour. The project is constituted as a series of context specific performance and installation works, each performed with 20-30 self-selecting participants from the locale, and taking its initial dramaturgical structure from the script of Jorgen Leth’s 1967 film 'the perfect human'.

Brookes, M. J.; Casado, Rosa (Unknown Publisher, 2013)

Status: Performed in Italy, Spain, Germany, Switzerland; since its initial presentation 4th July 2009. A performance research project, initially developed within a commission by Inteatro (Polverigi, Italy) during a two ...

Now showing items 52-71 of 116

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