This is the first piece by Nomad Teatro. It asks questions about the phenomenon of migration. The project starts from the social, economic and cultural conflict that affects our daily lives - the movement of people from ...

Site-specific lighting design for the located performance work 'Lifeguard' (Howells, A. and The National Theatre of Scotland, 2012). Commissioned and realised within a specifically restored swimming pool of the recently ...

Lighting design for the theatre work 'Make Believe' (Quarantine, 2009), developed within the context of Brookes' long-term collaboration with the company. Initially produced and presented at Contact, Manchester, in 2009; ...

By late March 1902, the British National Antarctic Expedition's ship Discovery was frozen in. Atop the ice, the explorers erected a hut, which was fitted with a stage, scenery, and footlights. The Royal Terror Theatre ...

This is a co-edited issue of Performance Research which includes an essay by Gritzner ('Form and Formlessness: Participation at the Limit'), a conversation (interview) by Gritzner ('On Participation in Art: A Conversation ...

'Paradise 2' is a thirty minutes performance event, reflecting on contrasting themes of tourism and economic migration. The work initiated Brookes' long term artistic collaboration with Spanish artist and performer Rosa ...

Lighting design for the installation and theatre work 'Paul Bright's Confessions of a Justified Sinner' (Untitled Projects, 2013), developed within the context of Brookes' on-going collaboration with the company. Created ...

Exploring thirty years of work by The Centre for Performance Research (CPR), A Performance Cosmology explores the future challenges of performance and theatre through a diverse and fascinating series of interviews, testimonies ...