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Browsing Performance Research by Title

Browsing Performance Research by Title

Now showing items 40-59 of 91

Las Sin Tierra (7 attempted crossings of the Straits)

Greenhalgh, Jill; Brookes, Michael; Casado, Rosa (Teatro Nomad [Spain], 2004)

This is the first piece by Nomad Teatro. It asks questions about the phenomenon of migration. The project starts from the social, economic and cultural conflict that affects our daily lives - the movement of people from ...
The Last Supper

Gough, Richard (2003)
Lifeguard

Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2012)

Site-specific lighting design for the located performance work 'Lifeguard' (Howells, A. and The National Theatre of Scotland, 2012). Commissioned and realised within a specifically restored swimming pool of the recently ...
The Little Review

Greer, Stephen (CPR, 2010-10)
The Lure of the Local, the Seduction of the Global: Locating Intermediality in Eddie Ladd's Scarface*

Roms, Heike Pearson (Cambridge Scholars, 2010-04-01)
Make Believe

Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2009)

Lighting design for the theatre work 'Make Believe' (Quarantine, 2009), developed within the context of Brookes' long-term collaboration with the company. Initially produced and presented at Contact, Manchester, in 2009; ...
Make Believe/Impossible Things Before Breakfast : Quarantine co-production with Contact Theatre, Manchester (Supported by the Arts Council England) The researcher’s design work questions how we separate the 'real' from the 'made up' in a theatre by utilising a meta-theatrical frame to illuminate the ordinary and mundane, provoking an examination of notional “realities”: in this case those from which our beliefs/attitudes are formed.

Banham, S. (Quarantine Theatre Company, 2009-10-28)

The creation of a new piece of work by Quarantine. 'Make Believe' investigates the nature of belief from a range of positions religious, political, philosophical and neurological. Posing questions about when we decide to ...
No Joke in Petticoats: British Polar Expeditions and Their Theatrical Presentations

Pearson, Mike (2006)

By late March 1902, the British National Antarctic Expedition's ship Discovery was frozen in. Atop the ice, the explorers erected a hut, which was fitted with a stage, scenery, and footlights. The Royal Terror Theatre ...
Old People, Children and Animals

Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2008)

Lighting design for the immersive theatre work 'Old People, Children and Animals' (Quarantine, 2008), developed within the context of Brookes' long-term collaboration with the company. Initially produced and presented at ...
Old People, Children and Animals : Scenographic design work for Quarantine Theatre Company extending the researcher’s canon of work with Quarantine in developing new thinking and practices of performance, involving innovative and creative scenographic research that extends the range, depth and application of current scenographic thinking.

Banham, S. (Quarantine Theatre Company, 2008-06-11)
One thing leads to another

Brookes, M. J.; Casado, Rosa (Unknown Publisher, 2012)

A long-term practice based research project, initiated in 2007, exploring small-scale public intervention and sculptural object work as both a tool and context for direct social reflection. Producing a series of intimate ...
On Philosophy and Participation

Cull, Laura; Gritzner, Karoline; Performance Research; Department of Theatre, Film & Television Studies (2011-12-31)

This is a co-edited issue of Performance Research which includes an essay by Gritzner ('Form and Formlessness: Participation at the Limit'), a conversation (interview) by Gritzner ('On Participation in Art: A Conversation ...
Oral History as Site-Specific Practice: Locating the History of Performance Art in Wales

Roms, Heike; Edwards, Rebecca (Palgrave Macmillan, 2011-11-01)
Paradise 2 (the incessant sound of a falling tree)

Brookes, Michael; Casado, Rosa (2006)

'Paradise 2' is a thirty minutes performance event, reflecting on contrasting themes of tourism and economic migration. The work initiated Brookes' long term artistic collaboration with Spanish artist and performer Rosa ...
The Parcel

Downing, Richard (U-Man Zoo (Performance Research Company), 2006)
Paul Bright's Confessions of a Justified Sinner

Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2013)

Lighting design for the installation and theatre work 'Paul Bright's Confessions of a Justified Sinner' (Untitled Projects, 2013), developed within the context of Brookes' on-going collaboration with the company. Created ...
The Perfect Human (and the things we do) : A performance research project considering how a performance event can be sustained through individual acts of genuinely daily behaviour. The project is constituted as a series of context specific performance and installation works, each performed with 20-30 self-selecting participants from the locale, and taking its initial dramaturgical structure from the script of Jorgen Leth’s 1967 film 'the perfect human'.

Brookes, M. J.; Casado, Rosa (Unknown Publisher, 2013)

Status: Performed in Italy, Spain, Germany, Switzerland; since its initial presentation 4th July 2009. A performance research project, initially developed within a commission by Inteatro (Polverigi, Italy) during a two ...
A Performance Cosmology (Testimony from the Future, Evidence of the Past)

Christie, Judie; Gough, Richard; Watt, Dan (Routledge, Taylor and Francis, 2006)

Exploring thirty years of work by The Centre for Performance Research (CPR), A Performance Cosmology explores the future challenges of performance and theatre through a diverse and fascinating series of interviews, testimonies ...
Performing Violence : Literary and Theatrical Experiments of New Russian Drama

Beumers, Birgit; Lipovetsky, Mark (Intellect, 2009)

"New Russian Drama" began its rise at the end of the twentieth century, following a decline in dramatic writing in Russia that stemmed back to the 1980s. Authors Beumers and Lipovetsky examine the representation of violence ...
Playing queer : Affordances for sexuality in Fable and Dragon Age

Greer, Stephen (2013-03)

This article adopts the lens of queer theory to examine the terms of inclusion of non-heterosexual identities within recent mass market role-playing games. Focusing on Lionhead Studios’ Fable and BioWare’s Dragon Age series, ...

Now showing items 40-59 of 91

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