Browsing Performance Research by Issue Date

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Browsing Performance Research by Issue Date

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  • Polis 
    Brookes, Michael Jonathan; Pearson, Michael John (2001)
    Commissioned and presented in Cardiff, in 2001, 'Polis' was realised within the context of Mike Brookes and Mike Pearson's long term collaboration, under the umbrella of their performance collective 'Pearson/Brookes'. A ...
  • Downing, Richard (2001)
  • Brookes, Michael; Pearson, Michael John (2001)
    'Carrying Lyn' was commissioned by Chapter, Cardiff and performed in the arts centre and on the city streets. The work was realised within the context of Mike Brookes and Mike Pearson's long term collaboration, under the ...
  • Downing, Richard (U-Man Zoo (Performance Research Company), 2001)
    'Water Banquet' is the generic title of a series of performance and installation works stemming from the placement and animation of an extraordinary table of water, thirty feet long and six feet wide. Each manifestation ...
  • Pearson, Michael John; Shanks, Michael (Routledge, 2001)
    Theatre/Archaeology is a provocative challenge to disciplinary practice and intellectual boundaries. It brings together radical proposals in both archaeological and performance theory to generate a startlingly original and ...
  • Campbell, Patrick; Kear, Adrian (Routledge, 2001-05-24)
    Never before has the relationship between psychoanalysis and performance been mapped out, either in terms of analyzing the nature of performance itself, or in terms of making sense of specific performance-related activities. ...
  • Greenhalgh, Jill; Brookes, Michael (2002)
  • Rain Dogs 
    Brookes, Michael; Pearson, Michael John; Thomas, Ed (2002)
    'Rain dogs' was presented at Chapter, Cardiff, supported by a production grant of £15,000 from the Arts Council of Wales. The work being realised in collaboration with Mike Pearson and Welsh playwright Ed Thomas, and ...
  • Geneva 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the theatre work 'Geneva' (Quarantine, 2003), developed within the context of Brookes' long-term collaboration with the company. Produced and presented with Northern Stage, Newcastle, in 2003.
  • Eat Eat 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the context-specific theatre event 'Eat Eat' (Quarantine, 2003). The production initiated Brookes' subsequent long-term collaboration with the company. Produced and presented with Leicester Haymarket, ...
  • Banham, Simon (2003)
    EatEat: a performative meal created with Leicester based refugees and asylum seekers. Audience and performers sat together around a 10m long concrete table in Leicester's oldest building, the Guildhall. Sharing a meal or ...
  • Zoo, U-Man; Downing, Richard (2003)
    Aqua Impura is delivered to an audience of only eighteen gathered at the table. Borrowing the structure of social dining, these eighteen guests are served a series of offerings (grouped as 'Beginnings', 'Middles' and 'Ends') ...
  • Gough, Richard (2003)
  • Butterfly 
    Performance Research; Department of Theatre, Film & Television Studies; Brookes, Michael Jonathan (Quarantine, 2004)
    Lighting design for the located theatre event 'Butterfly' (Quarantine, 2004), developed within the context of Brookes' long-term collaboration with the company. Commissioned and presented within Tramway, Glasgow, 2004.
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2004)
    Lighting design for the context-specific theatre work 'White Trash' (Quarantine, 2004), developed within the context of Brookes' long-term collaboration with the company. Produced and presented with Contact, Manchester, in 2004.
  • Rantsoen 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2004)
    Lighting design for the context-specific theatre event 'Rantsoen' (Quarantine, 2004), developed within the context of Brookes' long-term collaboration with the company. Produced and presented in association with Victoria, ...
  • Butterfly 
    Banham, Simon James (Quarantine, 2004)
  • Brookes, Michael Jonathan; Pearson, Michael John; Thomas, Ed (2004)
    'Who are you looking at?' was developed in collaboration with Mike Pearson and Welsh playwright Ed Thomas, and presented under the umbrella of Brookes and Pearson's performance collective 'Pearson/Brookes'. Realised over ...
  • Greenhalgh, Jill; Brookes, Michael; Casado, Rosa (Teatro Nomad [Spain], 2004)
    This is the first piece by Nomad Teatro. It asks questions about the phenomenon of migration. The project starts from the social, economic and cultural conflict that affects our daily lives - the movement of people from ...
  • Banham, Simon (Quarantine Theatre Company, 2004)
    White Trash is a dirty ballet of reality. It was created with and performed by seven young white working-class men from Manchester. They played pool and the audience watched. Out of the banality of their game and their ...

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