The Professional Archaeologist and The Aesthetic of Cultural Imperialism in Tony Harrison's The Trackers of Oxyrynchus

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dc.contributor.author Forsyth, Alison
dc.date.accessioned 2008-11-12T15:03:24Z
dc.date.available 2008-11-12T15:03:24Z
dc.date.issued 2003
dc.identifier.citation Forsyth , A 2003 , ' The Professional Archaeologist and The Aesthetic of Cultural Imperialism in Tony Harrison's The Trackers of Oxyrynchus ' . in The Professions in Contemporary Drama . Intellect Books , pp. 101-114 . en
dc.identifier.isbn 1-84150-047-X
dc.identifier.other PURE: 84578
dc.identifier.other dspace: 2160/1073
dc.identifier.uri http://hdl.handle.net/2160/1073
dc.description Forsyth, A. (2003). The Professional Archaeologist and The Aesthetic of Cultural Imperialism in Tony Harrison's The Trackers of Oxyrynchus. In D. Meyer-Dinkgrafe (Ed.), The Professions in Contemporary Drama (pp.101-114). Bristol: Intellect Books. RAE2008 en
dc.format.extent 14 en
dc.language.iso eng
dc.publisher Intellect Books
dc.relation.ispartof The Professions in Contemporary Drama en
dc.title The Professional Archaeologist and The Aesthetic of Cultural Imperialism in Tony Harrison's The Trackers of Oxyrynchus en
dc.type Text en
dc.type.publicationtype Book chapter en
dc.contributor.institution Department of Theatre, Film & Television Studies en
dc.contributor.institution Drama and Theatre Research en


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