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dc.contributor.author Jones, Anwen
dc.date.accessioned 2008-11-12T16:29:19Z
dc.date.available 2008-11-12T16:29:19Z
dc.date.issued 2008-11-12
dc.identifier.citation Jones , A 2008 , ' Paul Claudel's L'Annonce Faite á Marie: A Process of Visionary Revision ' Modern Language Review. 96(2) , pp. 347-360 . en
dc.identifier.issn 0026-7937
dc.identifier.other PURE: 93433
dc.identifier.other dspace: 2160/1083
dc.identifier.uri http://hdl.handle.net/2160/1083
dc.description Jones, A. (2001). Paul Claudel's L'Annonce Faite á Marie: A Process of Visionary Revision. Modern Language Review. 96(2), pp.347-360 en
dc.description.abstract The successive versions of L'Annonce faite à Marie reveal Paul Claudel's difficult search for effective dramatic representation of elusive spiritual forces. The early versions reflecting the weaknesses of French Symbolist theatre are marred by a conflict between lyrical text and dramatic action. However, consultation with the theatre directors, Auré lien Lugné-Poë (1911¿1912) and Charles Dullin (1940), eventually enabled Claudel to bridge the gap between the language of literary expression on the one hand and the language of the theatrical event on the other. As a result, the final version of L'Annonce faite à Marie (1948) is characterized by an inherent theatrical energy representative of the spiritual forces that fuel both Claudel's aesthetic and religious visions. en
dc.format.extent 14 en
dc.language.iso eng
dc.relation.ispartof Modern Language Review. 96(2) en
dc.title Paul Claudel's L'Annonce Faite á Marie: A Process of Visionary Revision en
dc.type Text en
dc.type.publicationtype Article (Journal) en
dc.contributor.institution Department of Theatre, Film & Television Studies en
dc.description.status Peer reviewed en


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