Show simple item record Griffiths, Laura Merris 2008-11-13T09:35:56Z 2008-11-13T09:35:56Z 2002
dc.identifier.citation Griffiths , L M 2002 , Pink Worlds and Blue Worlds: A Portrait of Intimate Polarity . in Small Screens: television for children . Octopus Publishing Group , pp. 159-184 . en
dc.identifier.isbn 0-8264-5944-7
dc.identifier.other PURE: 84738
dc.identifier.other PURE UUID: 4a20b6fc-7fed-45c8-b0cb-a9de4ff295db
dc.identifier.other dspace: 2160/1101
dc.identifier.other DSpace_20121128.csv: row: 857
dc.identifier.uri en
dc.description Griffiths, Merris, 'Pink Worlds and Blue Worlds: A Portrait of Intimate Polarity', In: 'Small Screens: television for children', D. Buckingham (Ed.), (London: Leicester University Press), pp. 159-184, 2002 RAE2008 en
dc.description.abstract In the UK, concern over the 'dumbing down' of children's programmes has met with defensive responses from television producers. In the US, after much lobbying, legislation designed to ensure compulsory inclusion of 'educational' progammes for children in the television schedules has been introduced. Such debates are a response to broader changes, both in broadcasting and in conceptions of childhood. The move towards a multi-channel, commercially-led global media system has led, far from the expectations of critics, to more provision of children's programming. Meanwhile views of what is appropriate for the audience have shifted as the boundaries between childhood and adulthood are increasingly blurred. This book provides a comprehensive account of the main areas of children's television by means of a series of case studies of programmes produced in Britain and the US. en
dc.format.extent 26 en
dc.language.iso eng
dc.publisher Octopus Publishing Group
dc.relation.ispartof Small Screens: television for children en
dc.rights en
dc.title Pink Worlds and Blue Worlds: A Portrait of Intimate Polarity en
dc.type /dk/atira/pure/researchoutput/researchoutputtypes/contributiontobookanthology/chapter en
dc.contributor.institution Department of Theatre, Film and Television Studies en
dc.contributor.institution Film and Television Research en

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