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dc.contributor.author Roms, Heike
dc.date.accessioned 2008-11-13T09:37:07Z
dc.date.available 2008-11-13T09:37:07Z
dc.date.issued 2008-11-13
dc.identifier.citation Roms , H 2008 , ' ¿Performing Polis: Theatre, Nationness and Civic Identity in Post-Devolution Wales' ' Post-Devolution Wales' , pp. 177-192 . en
dc.identifier.other PURE: 93993
dc.identifier.other dspace: 2160/1102
dc.identifier.uri http://hdl.handle.net/2160/1102
dc.identifier.uri http://www.atypon-link.com/INT/doi/abs/10.1386/stap.24.3.177/0 en
dc.description Heike Roms, 'Performing Polis: Theatre, Nationness and Civic Identity in Post-Devolution Wales', Sudies in Theatre and Performance (2004) 24 (3), pp.177-192 en
dc.description.abstract This article discusses Polis, the latest performance in a long line of theatrical investigations by its director Mike Pearson, first with Welsh company Brith Gof, then with Pearson/Brookes, into the relationship between theatrical and political participation. Whereas earlier performances by Brith Gof articulated this relationship in reference to a concept of Welsh nationhood, the article argues that Polis marked a transition from a cultural understanding of nationhood to one based on a conception of citizenship, a transition effected by the recent process of devolution in Wales. At the same time as devolution has put the perennial quest for a ¿National Theatre¿ back on the agenda, Polis¿s participatory and deconstructivist format was devised as an alternative to current simplistic concepts of a ¿National Theatre¿ of representation. en
dc.format.extent 16 en
dc.language.iso eng
dc.relation.ispartof Post-Devolution Wales' en
dc.title ¿Performing Polis: Theatre, Nationness and Civic Identity in Post-Devolution Wales' en
dc.type Text en
dc.type.publicationtype Article (Journal) en
dc.contributor.institution Department of Theatre, Film & Television Studies en
dc.description.status Peer reviewed en


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