| dc.contributor.author |
Harindranath, Ramaswami |
|
| dc.contributor.author |
Barker, Martin |
|
| dc.contributor.author |
Arthurs, Jane |
|
| dc.date.accessioned |
2008-11-13T10:48:17Z |
|
| dc.date.available |
2008-11-13T10:48:17Z |
|
| dc.date.issued |
2001 |
|
| dc.identifier.citation |
Harindranath , R , Barker , M & Arthurs , J 2001 , The Crash Controversy: Censorship Campaigns and Film Reception . Wallflower Press . |
en |
| dc.identifier.isbn |
1 903364 15 9 |
|
| dc.identifier.other |
PURE: 84759 |
|
| dc.identifier.other |
PURE UUID: 623da66d-760a-4fb5-bfc7-7606822ab353 |
|
| dc.identifier.other |
dspace: 2160/1115 |
|
| dc.identifier.uri |
http://hdl.handle.net/2160/1115 |
|
| dc.description |
Barker, M.; Arthurs, J. and Harindranath, R. (Eds.). (2001). Controversy: Censorship Campaigns and Film Reception. London: Wallflower Press. RAE2008 |
en |
| dc.description.abstract |
Between 1996–97 an almost unprecedented campaign was mounted in the British press against on one film: David Cronenberg’s Crash. What motivated this campaign? What can it tell us about British film culture? What impact did the campaign have on general audiences? This book, which draws on a year-long investigation supported by the Economic and Social Research Council, offers a series of important and challenging findings and is a major contribution to our understanding of censorship campaigns, how audiences respond to films, and the strategies employed in engaging with such texts. |
en |
| dc.language.iso |
eng |
|
| dc.publisher |
Wallflower Press |
|
| dc.rights |
|
en |
| dc.title |
The Crash Controversy: Censorship Campaigns and Film Reception |
en |
| dc.type |
/dk/atira/pure/researchoutput/researchoutputtypes/bookanthology/book |
en |
| dc.contributor.institution |
Department of Theatre, Film and Television Studies |
en |
| dc.contributor.institution |
Film and Television Research |
en |