The Crash Controversy: Censorship Campaigns and Film Reception

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dc.contributor.author Harindranath, Ramaswami
dc.contributor.author Barker, Martin
dc.contributor.author Arthurs, Jane
dc.date.accessioned 2008-11-13T10:48:17Z
dc.date.available 2008-11-13T10:48:17Z
dc.date.issued 2001
dc.identifier.citation Harindranath , R , Barker , M & Arthurs , J 2001 , The Crash Controversy: Censorship Campaigns and Film Reception . Wallflower Press . en
dc.identifier.isbn 1 903364 15 9
dc.identifier.other PURE: 84759
dc.identifier.other dspace: 2160/1115
dc.identifier.uri http://hdl.handle.net/2160/1115
dc.description Barker, M.; Arthurs, J. and Harindranath, R. (Eds.). (2001). Controversy: Censorship Campaigns and Film Reception. London: Wallflower Press. RAE2008 en
dc.description.abstract Between 1996–97 an almost unprecedented campaign was mounted in the British press against on one film: David Cronenberg’s Crash. What motivated this campaign? What can it tell us about British film culture? What impact did the campaign have on general audiences? This book, which draws on a year-long investigation supported by the Economic and Social Research Council, offers a series of important and challenging findings and is a major contribution to our understanding of censorship campaigns, how audiences respond to films, and the strategies employed in engaging with such texts. en
dc.language.iso eng
dc.publisher Wallflower Press
dc.title The Crash Controversy: Censorship Campaigns and Film Reception en
dc.type Text en
dc.type.publicationtype Book en
dc.contributor.institution Department of Theatre, Film & Television Studies en
dc.contributor.institution Film and Television Research en


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