| dc.contributor.author |
Owen, Roger |
|
| dc.date.accessioned |
2008-11-13T15:35:23Z |
|
| dc.date.available |
2008-11-13T15:35:23Z |
|
| dc.date.issued |
2007 |
|
| dc.identifier.citation |
Owen , R 2007 , ' The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas ' . in : Cool Britannia: British Political Drama in the 1990s . Palgrave Macmillan , pp. 158-175 . |
en |
| dc.identifier.isbn |
978-1-4039-8813-3 |
|
| dc.identifier.other |
PURE: 85818 |
|
| dc.identifier.other |
dspace: 2160/1149 |
|
| dc.identifier.uri |
http://hdl.handle.net/2160/1149 |
|
| dc.identifier.uri |
http://www.palgrave.com/products/title.aspx?PID=275210 |
en |
| dc.description |
Owen, Roger, 'The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas', In: 'Cool Britannia: British Political Drama in the 1990s', Rebecca D'Monté and Graham Saunders (eds), (Basingstoke: Palgrave Macmillan), pp.158-175, 2007 RAE2008 |
en |
| dc.description.abstract |
Cool Britannia? draws on new research to create a critical framework for approaching the drama of this period. It examines the work of established playwrights as well as the generation of young writers who emerged in the mid-1990s and explores a wide variety of key issues including cultural politics and constructions of race and gender. |
en |
| dc.format.extent |
18 |
en |
| dc.language.iso |
eng |
|
| dc.publisher |
Palgrave Macmillan |
|
| dc.relation.ispartof |
Cool Britannia: British Political Drama in the 1990s |
en |
| dc.title |
The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas |
en |
| dc.type |
Text |
en |
| dc.type.publicationtype |
Book chapter |
en |
| dc.contributor.institution |
Aberystwyth University |
en |
| dc.contributor.institution |
Welsh Theatre and Media Research |
en |