The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas

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dc.contributor.author Owen, Thomas Roger
dc.date.accessioned 2008-11-13T15:35:23Z
dc.date.available 2008-11-13T15:35:23Z
dc.date.issued 2007
dc.identifier.citation Owen , T R 2007 , ' The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas ' . in Cool Britannia: British Political Drama in the 1990s . Palgrave Macmillan , pp. 158-175 . en
dc.identifier.isbn 978-1-4039-8813-3
dc.identifier.other PURE: 85818
dc.identifier.other dspace: 2160/1149
dc.identifier.uri http://hdl.handle.net/2160/1149
dc.identifier.uri http://www.palgrave.com/products/title.aspx?PID=275210 en
dc.description Owen, Roger, 'The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas', In: 'Cool Britannia: British Political Drama in the 1990s', Rebecca D'Monté and Graham Saunders (eds), (Basingstoke: Palgrave Macmillan), pp.158-175, 2007 RAE2008 en
dc.description.abstract Cool Britannia? draws on new research to create a critical framework for approaching the drama of this period. It examines the work of established playwrights as well as the generation of young writers who emerged in the mid-1990s and explores a wide variety of key issues including cultural politics and constructions of race and gender. en
dc.format.extent 18 en
dc.language.iso eng
dc.publisher Palgrave Macmillan
dc.relation.ispartof Cool Britannia: British Political Drama in the 1990s en
dc.title The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas en
dc.type Text en
dc.type.publicationtype Book chapter en
dc.contributor.institution Department of Theatre, Film & Television Studies en
dc.contributor.institution Welsh Theatre and Media Research en


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