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dc.contributor.author Thomas Roger en_US
dc.date.accessioned 2008-11-13T15:35:23Z
dc.date.available 2008-11-13T15:35:23Z
dc.date.issued 2007 en_US
dc.identifier 978-1-4039-8813-3 en_US
dc.identifier.citation Owen , T R 2007 , ' The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas ' . in Cool Britannia: British Political Drama in the 1990s . Palgrave Macmillan , pp. 158-175 . en_US
dc.identifier.other PURE: 85818 en_US
dc.identifier.other dspace: 2160/1149 en_US
dc.identifier.uri http://hdl.handle.net/2160/1149
dc.description.abstract Cool Britannia? draws on new research to create a critical framework for approaching the drama of this period. It examines the work of established playwrights as well as the generation of young writers who emerged in the mid-1990s and explores a wide variety of key issues including cultural politics and constructions of race and gender. en_US
dc.format.extent 18 en_US
dc.publisher Palgrave Macmillan en_US
dc.relation.ispartof Cool Britannia: British Political Drama in the 1990s en_US
dc.title The Net and the Self: Colliding Views of Individuality and Nationhood in the Pre-Devolutionary plays of Mark Jenkins and Ed Thomas en_US
dc.contributor.pbl Department of Theatre, Film & Television Studies en_US
dc.contributor.pbl Welsh Theatre and Media Research en_US


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