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dc.contributor.author Barker, Martin
dc.date.accessioned 2009-05-06T10:59:03Z
dc.date.available 2009-05-06T10:59:03Z
dc.date.issued 2006
dc.identifier.citation Barker , M 2006 , ' Menstrual Monsters: The reception of the Ginger Snaps cult horror franchise ' Film International , vol 4 , no. 21 , pp. 68-77 . , 10.1386/fiin.4.3.68/1 en
dc.identifier.issn 1651-6826
dc.identifier.other PURE: 100337
dc.identifier.other dspace: 2160/1988
dc.identifier.uri http://hdl.handle.net/2160/1988
dc.description Barker, Martin, Mathijs, Ernest, Mendik, Xavier, (2006) 'Menstrual Monsters: The reception of the Ginger Snaps cult horror franchise', Film International 4 (21), pp. 68-77 en
dc.description.abstract How quick can a scary movie establish a devoted fan following that turns a desired cinematic object into a contemporary cult classic? Pretty quickly, judging by the reception trajectory of Ginger Snaps. Less than five years after the release of the first of the off-beat Canadian low budget horror gems, Ginger Snaps (Fawcett 2000), and hardly a year after the sequel and prequel, Ginger Snaps II: Unleashed (Sullivan, 2004) and Ginger Snaps III: Ginger Snaps Back (Harvey, 2004), the series has become a b-movie buzz word for horror reviewers and fan communities alike. Critics have been quick to note the cycle‟s a-typical traits, claiming that the films focus on two teen sisters fighting off fur lined infection represents a “genre busting sensation” (Vatnsdal, 2004: 216), that extends horror mythologies to a new range of viewing groups. en
dc.format.extent 10 en
dc.language.iso eng
dc.relation.ispartof Film International en
dc.title Menstrual Monsters: The reception of the Ginger Snaps cult horror franchise en
dc.type Text en
dc.type.publicationtype Article (Journal) en
dc.identifier.doi http://dx.doi.org/10.1386/fiin.4.3.68/1
dc.contributor.institution Department of Theatre, Film & Television Studies en
dc.contributor.institution Film and Television Research en
dc.description.status Peer reviewed en


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