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dc.contributor.author Martin en_US
dc.contributor.editor Steven Jay en_US
dc.date.accessioned 2009-05-08T12:12:09Z
dc.date.available 2009-05-08T12:12:09Z
dc.date.issued 2004 en_US
dc.identifier.citation Barker , M 2004 , ' Violence Redux ' . in S J Schneider (ed.) , New Hollywood Violence . Manchester University Press , pp. 57-79 . en_US
dc.identifier.other PURE: 100488 en_US
dc.identifier.other dspace: 2160/1995 en_US
dc.identifier.uri http://hdl.handle.net/2160/1995
dc.description.abstract New Hollywood Violenceis a groundbreaking collection of essays devoted to an interrogation of various aspects, dimensions, and depictions of violence in New Hollywood filmmaking. 'New Hollywood' refers to the return to genre filmmaking following America's flirtation with European art cinema in the late 1960s and early 1970s, and is characterized by vast production budgets and special effects. Focusing on the motivations, the formal and stylistic qualities and the cultural politics of violence as well as the effects on viewers, the collection is divided into four sections: 'Surveys and schemas'; 'Spectacle and style'; 'Race and gender' and 'Politics to ideology'. An Afterword by Stephen Prince reflects on the various essays and points the way towards areas of future exploration. en_US
dc.format.extent 23 en_US
dc.publisher Manchester University Press en_US
dc.relation.ispartof New Hollywood Violence en_US
dc.title Violence Redux en_US
dc.contributor.pbl Department of Theatre, Film & Television Studies en_US
dc.contributor.pbl Film and Television Research en_US


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