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dc.contributor.author Alison en_US
dc.contributor.editor M. en_US
dc.contributor.editor L. en_US
dc.contributor.editor K. en_US
dc.date.accessioned 2009-06-04T10:22:33Z
dc.date.available 2009-06-04T10:22:33Z
dc.date.issued 2009 en_US
dc.identifier 9781443801522 en_US
dc.identifier.citation Forsyth , A 2009 , ' Pacifist Antigones ' . in M Macarthur , L Wilkinson & K Zaiontz (eds) , Performing Adaptations: Essays and Conversations on the Theory and Practice of Adaptation . Cambridge Scholars Publishing , pp. 25-42 . en_US
dc.identifier.other PURE: 106650 en_US
dc.identifier.other dspace: 2160/2447 en_US
dc.identifier.uri http://hdl.handle.net/2160/2447
dc.description.abstract Performing Adaptations: Conversations and Essays on the Theory and Practice of Adaptation brings together scholars and artists from across North America and the United Kingdom to contribute to the growing discourse on adaptation in the arts. An ideal text for students of theatre, drama, and performance studies, this volume offers a ground-breaking set of essays, interviews, and artistic reflections that assess adaptation from the perspective of live performance, an aspect of the field that has been under-explored until now. The diverse authors and interview subjects in this anthology take a variety of approaches to both creating and analyzing adaptations, demonstrating the form’s suitability for testing and speaking back to dominant models of creation, production, and analysis. Featuring articles by pioneering adaptation scholar Linda Hutcheon and critically acclaimed writer and critic George Elliott Clarke, Performing Adaptations advances the field of adaptation studies in new and exciting ways. The authors in Performing Adaptations do not comprise a comprehensive view of adaptation studies, but represent a collection of “gutsy” voices that use adaptation to test, and speak back to dominant models of creation, production, and analysis. Some of these perspectives include a group of artists from the African Diaspora, Europe, and Canada (the AfriCan Theatre Ensemble); the voice of Chinese-Canadian playwright, Marjorie Chan; the innovative storytelling of Beth Watkins, and her adaptation of letters written by transgendered student activist, Jesse Carr; the views of vanguard Canadian queer filmmaker, John Greyson; and African-Canadian poet, novelist, and critic, George Elliott Clarke. Their adaptation of sources to other genres, mediums, and cultural contexts represent the act of a radical, dialogical reading, writ large. en_US
dc.format.extent 18 en_US
dc.publisher Cambridge Scholars Publishing en_US
dc.relation.ispartof Performing Adaptations: Essays and Conversations on the Theory and Practice of Adaptation en_US
dc.title Pacifist Antigones en_US
dc.contributor.pbl Department of Theatre, Film & Television Studies en_US
dc.contributor.pbl Drama and Theatre Research en_US


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