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Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

Now showing items 105-124 of 238

Introduction: Contesting Performance in an Age of Globalization

McKenzie, Jon; Wee, C. J. W. -L; Roms, Heike (Palgrave Macmillan, 2009-11-18)
An investigation of the status of ‘Shakespeare’, and the ways in which this is manifested in audience responses, with specific reference to three late-1990s Shakespearean films

Martindale, Sarah (Aberystwyth UniversityTheatre, Film and Television Studies, 2011)

The status of ‘Shakespeare’ is an incredibly intricate cultural construct, which is influenced by circumstantially contingent hierarchies of value, academic discourses, institutional processes, educational curricula, and ...
It's a ghost: The uncanny in rural Welsh identity

Ames, Margaret Patricia (2013-01)

The AHRC-funded project led by Sally Mackey at the Central School of Speech and Drama, `Challenging Concepts of “Liquid“ Place through Performing Practices in Community Contexts', involves performative responses to an ...
'It's Not TV, It's Online Drama: The Return of the Intimate Screen'

Creeber, Glen (2011-04-01)

This article will focus on the subject of ‘online drama’, i.e. drama made specifically to be viewed on the Internet. It aims to investigate and account for this new and unique form of serialized drama, explain and clarify ...
It was forty years ago today - Locating the early history of performance art in Wales 1965-1979 database (AHRC-funded)

Roms, Heike Pearson; Edwards, Rebecca Jayne (Aberystwyth University, 2011-06-30)

The Arts and Humanities Research Council AHRC-funded "'It was forty years ago today': Locating the Early History of Performance Art in Wales 1965-1979" Database is an online searchable resource containing as complete a ...
Just a little bit of history repeating

Brookes, Michael Jonathan; Casado, Rosa (2013)

'Just a little bit of history repeating' is a context specific live art project for public space, initialy developed and proposed as the culmination of a research residency and commission awarded by 'b-side' (Weymouth, ...
Kicked into the Gutters: or, 'My Dad doesn't read comics, he studies them'

Barker, Martin (2002)

I never dreamed that I would become a comics researcher. Just about everything about me indicated against it. I didn't much read comics as a child (the odd solace of comics on holiday, plus a period of secret fascination ...
La Dolce Morte: Vernacular Cinema and the Itallian Giallo Film

Koven, Mikel (Scarecrow Press, 2006)
Las Sin Tierra (7 attempted crossings of the Straits)

Greenhalgh, Jill; Brookes, Michael; Casado, Rosa (Teatro Nomad [Spain], 2004)

This is the first piece by Nomad Teatro. It asks questions about the phenomenon of migration. The project starts from the social, economic and cultural conflict that affects our daily lives - the movement of people from ...
The Last Supper

Gough, Richard (2003)
Lifeguard

Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2012)

Site-specific lighting design for the located performance work 'Lifeguard' (Howells, A. and The National Theatre of Scotland, 2012). Commissioned and realised within a specifically restored swimming pool of the recently ...
The Little Review

Greer, Stephen (CPR, 2010-10)
The Lord of the Rings and ‘Identification’: A Critical Encounter

Barker, Martin (2005)

The concept of ‘identification’ remains a commonly called-upon resource for considering how media audiences might be influenced into taking up moral and cultural positions. Yet very little empirical evidence exists to ...
Lord of The Rings database user guide

Barker, Martin (Aberystwyth University, 2008-06-25)

A user guide to the Lord of The Rings database (http://hdl.handle.net/2160/595).
Lord of The Rings world audience database

Barker, Martin (2008-06-25)

This database contains all the responses (nearly 25,000) received to a questionnaire which was developed for use in the project, funded in the UK by the ESRC, to explore the launch and reception of The Lord of the Rings: ...
Lovefuries: The Contracting Sea The Hanging Judge; Bite or Suck : he Hanging Judge; Bite or Suck

Rabey, David Ian (Intellect Books, 2008-03-01)

Lovefuries offers a double bill of performance pieces that explode national and personal pressures to keep silent, and explore the surprising and shocking resurgences of life that break through grief. In The Contracting ...
The Lure of the Local, the Seduction of the Global: Locating Intermediality in Eddie Ladd's Scarface*

Roms, Heike Pearson (Cambridge Scholars, 2010-04-01)
Machine Translation and the Internet

Thomas, Ned; King, Alan; Jones, E. H. G. (2001)

Our brief was to look at the field from the pers pective of smaller languages – both regional and minority languages and the smallest state languages . The objectives of the study were: to assess both the problems created ...
Make Believe

Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2009)

Lighting design for the theatre work 'Make Believe' (Quarantine, 2009), developed within the context of Brookes' long-term collaboration with the company. Initially produced and presented at Contact, Manchester, in 2009; ...
Make Believe/Impossible Things Before Breakfast : Quarantine co-production with Contact Theatre, Manchester (Supported by the Arts Council England) The researcher’s design work questions how we separate the 'real' from the 'made up' in a theatre by utilising a meta-theatrical frame to illuminate the ordinary and mundane, provoking an examination of notional “realities”: in this case those from which our beliefs/attitudes are formed.

Banham, S. (Quarantine Theatre Company, 2009-10-28)

The creation of a new piece of work by Quarantine. 'Make Believe' investigates the nature of belief from a range of positions religious, political, philosophical and neurological. Posing questions about when we decide to ...

Now showing items 105-124 of 238

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