Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

Sort by: Order: Results:

  • Alison (Peter Lang, 2002)
    Should The Merchant of Venice be staged post-Holocaust? How was Antigone (an icon of noble suffering in the Western liberal humanist tradition) received in Apartheid-riven South Africa? These are some of the questions ...
  • Forsyth, Alison (Peter Lang, 2002)
    Should The Merchant of Venice be staged post-Holocaust? How was Antigone (an icon of noble suffering in the Western liberal humanist tradition) received in Apartheid-riven South Africa? These are some of the questions ...
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2009)
    Lighting design for the located one-to-one performance work 'The Garden of Adrian' (Howells, A., 2009). Developed and presented as part of a specifically constructed garden, within the interior of a former church, University ...
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2009)
    Lighting design for the located one-to-one performance work 'The Garden of Adrian' (Howells, A., 2009). Developed and presented as part of a specifically constructed garden, within the interior of a former church, University ...
  • Geneva 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the theatre work 'Geneva' (Quarantine, 2003), developed within the context of Brookes' long-term collaboration with the company. Produced and presented with Northern Stage, Newcastle, in 2003.
  • Geneva 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the theatre work 'Geneva' (Quarantine, 2003), developed within the context of Brookes' long-term collaboration with the company. Produced and presented with Northern Stage, Newcastle, in 2003.
  • Alison (Palgrave Macmillan, 2009)
    Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishing range of performance styles, ...
  • Forsyth, Alison (Palgrave Macmillan, 2009)
    Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishing range of performance styles, ...
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2008)
    Lighting design for the contemporary solo dance work 'Gloria Days' (Rees, M., 2007). Originally developed and presented within the Millennium Centre, Cardiff; with subsequent performances across touring dates within Europe ...
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2008)
    Lighting design for the contemporary solo dance work 'Gloria Days' (Rees, M., 2007). Originally developed and presented within the Millennium Centre, Cardiff; with subsequent performances across touring dates within Europe ...
  • Grace 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2005)
    Lighting design for the large-scale ensemble theatre work 'Grace' (Quarantine, 2005), developed within the context of Brookes' long-term collaboration with the company. Produced and presented within Contact, Manchester, in 2005.
  • Grace 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2005)
    Lighting design for the large-scale ensemble theatre work 'Grace' (Quarantine, 2005), developed within the context of Brookes' long-term collaboration with the company. Produced and presented within Contact, Manchester, in 2005.
  • Gravitas 
    Brookes, M. J. (2008)
    Production design, using informally hung large-scale digital photographic image works - industrially printed on to tarpaulins of 18m x 3m and 12m x 3m - to shape and define the performance space for a touring dance theatre work.
  • Gravitas 
    Brookes, M. J. (2008)
    Production design, using informally hung large-scale digital photographic image works - industrially printed on to tarpaulins of 18m x 3m and 12m x 3m - to shape and define the performance space for a touring dance theatre work.
  • Roms, Heike Pearson (Down With Art!, 2012-12-01)
    essays on Fluxus in Great Britain; the Festival of Misfits (London 23 October - 8 November 1962) and Fluxusconcert by and for Fluxus (Aberystwyth 28 November 1968); exhibition catalogue
  • Thomas Roger (Gwasg Prifysgol Cymru, 2007)
  • Owen, Thomas Roger (Gwasg Prifysgol Cymru, 2007)
  • Creeber, Glen (2004)
    This article will argue that despite gaining praise from around the world for its particular form of 'public service broadcasting,' the British Broadcasting Corporation has proved to be surprisingly poor at reflecting the ...
  • Creeber, Glen (2004)
    This article will argue that despite gaining praise from around the world for its particular form of 'public service broadcasting,' the British Broadcasting Corporation has proved to be surprisingly poor at reflecting the ...
  • Brookes, M. J.; Casado, Rosa (Unknown Publisher, 2008)
    Object work, for gallery exhibition - developed within the wider research framework of the project 'one thing leads to another' - and produced and placed as part of an ongoing series of small, ephemeral, and context-specific ...

Search Cadair


Advanced Search

Browse