Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

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  • Cull, Laura; Gritzner, Karoline; Performance Research; Department of Theatre, Film & Television Studies (2011-12-31)
    This is a co-edited issue of Performance Research which includes an essay by Gritzner ('Form and Formlessness: Participation at the Limit'), a conversation (interview) by Gritzner ('On Participation in Art: A Conversation ...
  • M. J.; Rosa (Unknown Publisher, 2012)
    A long-term practice based research project, initiated in 2007, exploring small-scale public intervention and sculptural object work as both a tool and context for direct social reflection. Producing a series of intimate ...
  • Alison (Cambridge Scholars Publishing, 2009)
    Performing Adaptations: Conversations and Essays on the Theory and Practice of Adaptation brings together scholars and artists from across North America and the United Kingdom to contribute to the growing discourse on ...
  • Brookes, Michael; Casado, Rosa (2006)
    'Paradise 2' is a thirty minutes performance event, reflecting on contrasting themes of tourism and economic migration. The work initiated Brookes' long term artistic collaboration with Spanish artist and performer Rosa ...
  • Downing, Richard (U-Man Zoo (Performance Research Company), 2006)
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2013)
    Lighting design for the installation and theatre work 'Paul Bright's Confessions of a Justified Sinner' (Untitled Projects, 2013), developed within the context of Brookes' on-going collaboration with the company. Created ...
  • Jones, Anwen (2001-04)
    The successive versions of L'Annonce faite à Marie reveal Paul Claudel's difficult search for effective dramatic representation of elusive spiritual forces. The early versions reflecting the weaknesses of French Symbolist ...
  • M. J.; Rosa (Unknown Publisher, 2013)
    Status: Performed in Italy, Spain, Germany, Switzerland; since its initial presentation 4th July 2009. A performance research project, initially developed within a commission by Inteatro (Polverigi, Italy) during a two ...
  • Judie; Richard; Dan (Taylor & Francis, 2006)
    Exploring thirty years of work by The Centre for Performance Research (CPR), A Performance Cosmology explores the future challenges of performance and theatre through a diverse and fascinating series of interviews, testimonies ...
  • Ames, Margaret (2012-06-26)
    This paper proposes an examination of recent work created by a physically and learning disabled performer, Edward Wadsworth, to consider how performance by disabled dance authors may offer new aesthetic engagements which ...
  • Heike (2004-11)
    This article discusses Polis, the latest performance in a long line of theatrical investigations by its director Mike Pearson, first with Welsh company Brith Gof, then with Pearson/Brookes, into the relationship between ...
  • Alison (Palgrave Macmillan, 2009)
    Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishing range of performance styles, ...
  • Birgit; Mark (Intellect, 2009)
    "New Russian Drama" began its rise at the end of the twentieth century, following a decline in dramatic writing in Russia that stemmed back to the 1980s. Authors Beumers and Lipovetsky examine the representation of violence ...
  • Laura Merris (Octopus Publishing Group, 2002)
    In the UK, concern over the 'dumbing down' of children's programmes has met with defensive responses from television producers. In the US, after much lobbying, legislation designed to ensure compulsory inclusion of ...
  • Greer, Stephen (2013-03)
    This article adopts the lens of queer theory to examine the terms of inclusion of non-heterosexual identities within recent mass market role-playing games. Focusing on Lionhead Studios’ Fable and BioWare’s Dragon Age series, ...
  • Barker, Martin (2008-06)
    Hollywood in the 1990s was a complicated place, and source of films. As well as the tent-pole summer and Christmas blockbusters, and the array of genre or mixed-genre films, through its finance houses and distribution ...
  • Polis 
    Brookes, Michael Jonathan; Pearson, Michael John (2001)
    Commissioned and presented in Cardiff, in 2001, 'Polis' was realised within the context of Mike Brookes and Mike Pearson's long term collaboration, under the umbrella of their performance collective 'Pearson/Brookes'. A ...
  • Heike (Palgrave Macmillan, 2010-01-01)
  • Brostrom, Cara (Aberystwyth UniversityTheatre, Film and Television Studies, 2010-03)
    The Performance: A teapot, a stranger, a very clean house; diary of the unremarkable is a participatory enquiry into photography as both time-based medium and phenomenological encounter. Prior to the installation, 15 ...

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