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Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

Now showing items 21-40 of 274

Audiences Talking ‘Fear’: A Qualitative Investigation

Leder, Kerstin (Aberystwyth UniversityTheatre, Film and Television Studies, 2009)

This thesis presents the processes and outcomes of a cross-national and cross-generational audience study of the varying roles of film and television in relation to people’s fearful perceptions of the world. As well as ...
Beyond Representation: The Drama of Traumatic Realism in Arthur Miller's Broken Glass (1994)

Forsyth, Alison (2005)
The Bicol Dotoc: Performance, Postcoloniality, and Pilgrimage

Llana, Jazmin Badong (Aberystwyth UniversityTheatre, Film and Television Studies, 2009-09)

The dotoc is a religious devotion to the Holy Cross in Bicol, Philippines. Women cantors take the role of pilgrims journeying to the Holy Land to visit the Holy Cross or performers reenact as komedya St. Helene’s search ...
Blodeuwedd. Somatic Efforts in Directing: A Political Imperative?

Ames, Margaret (2010-05)

This essay considers the collaborative process of creating a new version of Blodeuwedd by Saunders Lewis for Cwmni Theatr Cydweithredol Troed y Rhiw. The undertaking was research driven and the author worked closely with ...
Brighton Beach

Ames, Margaret (2009-07-03)

This new piece is authored by Edward Wadsworth and Cyrff Ystwyth. Wadsworth is disabled. Brighton Beach was conceived through an autobiographical approach, along with the other company members who interpreted and developed ...
Brighton Beach

Ames, M. P.; Wadsworth, E. (Dawns Dyfed, 2009-06-10)

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British and Irish Political Drama in the Twentieth Century: Implicating the Audience

Rabey, David Ian (Springer Nature, 1990-11-15)

A critical survey of the development of British & Irish political drama, with particular attention to the changing attitudes of the playwright to his audience & his tactics to engage it in the dramatic & political tensions ...
Butterfly

Simon James (Quarantine, 2004)
Butterfly

Performance Research; Department of Theatre, Film and Television Studies; Brookes, Michael Jonathan (Quarantine, 2004)

Lighting design for the located theatre event 'Butterfly' (Quarantine, 2004), developed within the context of Brookes' long-term collaboration with the company. Commissioned and presented within Tramway, Glasgow, 2004.
The Butterfly Man

Downing, R. D.; Donnison, I. S.; Jensen, E.; Durran, M.; Lewis, J. (Prifysgol Aberystwyth | Aberystwyth University, 2012)

Public presentation of an original artwork, and analytical reflection in the form of two performed lectures. This output manifests the aesthetic outcome of the inter-disciplinary research between Richard Downing (PI), ...
Cantre'r Gwaelod and tales of inundation

Christie, Sam (Aberystwyth University, 2015)

This thesis is submitted alongside the film Forecast (2015) to be a submission for the PhD project Cantre’r Gwaelod and Tales of Inundation. The project aims in its entirety to propose film as a mode of enquiry regarding ...
Capel: The Lights are On : Performance by Adrian Jones with Cyrff Ystwyth, in which Ames is principal research investigator and director, and part of the AHRC project 'Challenging Concepts of 'Liquid' Place through Performative Practices'. Jones shaped the output in response to the research questions about how he and other members of the company Cyrff Ystwyth perceive issues of belonging, dislocation, and place.

Jones, Adrian; Ames, Margaret (2012-06-27)
Carrlands: mediated manifestations of site-specific performance in the Alchome Valley, North Linconlshire

Pearson, Mike; Brookes, Michael (2007)

A series of original sound compositions – combining spoken word, music and effects – inspired by, and set at, three locations in the agricultural landscape of North Lincolnshire: Snitterby Carrs, Hibaldstow Carrs, Horkstow ...
Carrying Lyn

Brookes, Michael; Pearson, Michael John (2001)

'Carrying Lyn' was commissioned by Chapter, Cardiff and performed in the arts centre and on the city streets. The work was realised within the context of Mike Brookes and Mike Pearson's long term collaboration, under the ...
Catastrophic Sexualities in Howard Barker's Theatre of Transgression

Gritzner, Karoline (Brill, 2005-12-01)

Genealogies of Identity examines issues of sex and sexuality across a range of critical and cultural perspectives. The volume considers historically specific discourses of sex and sexuality, their effect within public ...
Changing lives, challenging concepts: Some findings and lessons from the Lord of the Rings project

Barker, Martin (2009)

This article presents a series of key findings from the international Lord of the Rings project, around the meanings and implications for audiences of choosing to describe the films as a „Spiritual Journey‟. Drawing on a ...
Children drawing toy commercials: re-imagining television production features

Griffiths, Laura Merris (2005)

Using a selection of toy commercials that were designed and drawn (as part of a small-scale research study) by a sample of primary school children between the ages of 7 and 11 years, this article aims to demonstrate and ...
The Cinema of Alexander Sokurov

Beumers, Birgit; Condee, Nancy; Department of Theatre, Film and Television Studies; Film and Television Research (I.B. Tauris, 2011)

Alexander Sokurov's Russian Ark is generally acclaimed as a milestone in cinematography. In this film, Sokurov reversed the idea of montage, creating instead the sensation of an uninterrupted flow of time encompassing three ...
Club Luz

Ladd, Eddie (2002)
Cof y Corff

Ladd, Eddie (Royal Opera House, 2007-08)

Much of Eddie Ladd’s work deals with themes of colonialism and the survival of small nations. It’s an essay on foot that has the performer trying to reconnect with Welsh history through dance and movement analysis. Featuring ...

Now showing items 21-40 of 274

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