Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

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Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

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  • Research, Centre for Performance (Unknown Publisher, 2005)
    Despite an early emphasis in our work upon the potential for creative interplay between archive and studio, the actual chronicle of CLT and CPR work has been partial and the documentation of process fragmentary. For this ...
  • Harindranath, Ramaswami; Barker, Martin; Arthurs, Jane (Wallflower Press, 2001)
    Between 1996–97 an almost unprecedented campaign was mounted in the British press against on one film: David Cronenberg’s Crash. What motivated this campaign? What can it tell us about British film culture? What impact did ...
  • Barker, Martin (2002)
    It is now four years since the considerable crisis that pervaded British cinema politics finally juddered to a halt as David Cronenberg's Crash (1996) was released at last to the screens, uncut as an '18'. The controversy ...
  • Barker, Martin (2003-03)
    In 1996 David Cronenberg’s film of J.G. Ballard’s Crash led to a huge controversy in Britain, much of which turned on claims of what the film might do to its audience, claims which were the subject of a major ESRC-funded ...
  • Sexton, Jamie (2006)
    This paper examines the film Space is the Place, a 1974 science-fiction film starring jazz maverick Sun Ra. I determine why the film has attained cult status, and demonstrate how an understanding of Sun Ra's particular ...
  • Williams, Ioan M. (2005-07)
  • Rabey, David Ian (Routledge, 1998-01-29)
    * Product Description: Authoritative in its reference to all Rudkin's work for theatre, cinema, radio and television, this profound critical study aims to prompt a reappraisal of his work in current dramatic, theoretical, ...
  • O'Malley, Thomas (Longman, 2001-04)
  • Woodward, Kate (2012-07-31)
    This paper seeks to evaluate developments in both film policy and film production in Wales since 2000. Citing the Referendum on Devolution in 1997 as a critical milestone in forming policy in Wales, this paper will argue ...
  • Creeber, G.; Martin, R. (Open University Press, 2008-12-01)
  • Picardie, Michael (Aberystwyth UniversityTheatre, Film and Television Studies, 2009)
    It is hypothesised and corroborated that there is a positive aesthetic interaction between the emotional pulse (Kristeva’s chora - what she calls the semiotic) and the actual symbolic meaning in the theatrical action ...
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2013)
    Lighting design for the scenic proposition and participatory theatre event 'The Reading Room', concluding the 'The Dyas Sisters' project (Quarantine, 2013), developed within the context of Brookes' long-term collaboration ...
  • Eat Eat 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the context-specific theatre event 'Eat Eat' (Quarantine, 2003). The production initiated Brookes' subsequent long-term collaboration with the company. Produced and presented with Leicester Haymarket, ...
  • Banham, Simon (2003)
    EatEat: a performative meal created with Leicester based refugees and asylum seekers. Audience and performers sat together around a 10m long concrete table in Leicester's oldest building, the Guildhall. Sharing a meal or ...
  • Rabey, David Ian (Wiley-Blackwell, 2006-09-29)
    This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers ...
  • Mangold, Alexander C. (Aberystwyth University, 2010)
    This study argues that Sarah Kane’s work for the theatre proposes a new tragic aesthetic for the contemporary stage which in many ways transcends the limited genre definitions with which her work is generally associated. ...
  • Roms, Heike (Routledge, 2006-06-07)
    Europe at the turn of the twenty-first century is a place where the practice of theatre still matters. Theatre remains a place and a practice in which pressing questions of political and personal identity, desire, imagination ...
  • Rabey, David Ian (Routledge, 2003-01-23)
    English Drama since 1940 considers the bids of successive post-war dramatists to find language and images of remorseless disclosure, appropriate to the public manifestation of sensed crisis and the interrogation of the ...
  • Roszell, Shannon (Aberystwyth UniversityTheatre, Film and Television Studies, 2010)
    The Performance. ‘The Small Ones’ examines just those: the small items, the small moments and the small memories that compose a life. It is a solo performance exploring memory and object juxtaposing live-feed projections ...

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