Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

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  • Gough, Richard; Gethin, Helen Elizabeth; Rawlinson, Siu-Lin Mary (Unknown Publisher, 2005)
    Despite an early emphasis in our work upon the potential for creative interplay between archive and studio, the actual chronicle of CLT and CPR work has been partial and the documentation of process fragmentary. For this ...
  • Harindranath, Ramaswami; Barker, Martin; Arthurs, Jane (Wallflower Press, 2001)
    Between 1996–97 an almost unprecedented campaign was mounted in the British press against on one film: David Cronenberg’s Crash. What motivated this campaign? What can it tell us about British film culture? What impact did ...
  • Barker, Martin (2003-03)
    In 1996 David Cronenberg’s film of J.G. Ballard’s Crash led to a huge controversy in Britain, much of which turned on claims of what the film might do to its audience, claims which were the subject of a major ESRC-funded ...
  • Barker, Martin (2002)
    It is now four years since the considerable crisis that pervaded British cinema politics finally juddered to a halt as David Cronenberg's Crash (1996) was released at last to the screens, uncut as an '18'. The controversy ...
  • Sexton, Jamie (2006)
    This paper examines the film Space is the Place, a 1974 science-fiction film starring jazz maverick Sun Ra. I determine why the film has attained cult status, and demonstrate how an understanding of Sun Ra's particular ...
  • Williams, Ioan (2005-07)
  • Roms, Heike (2010-06-01)
    This paper presents a current research project that attempted to approach the history of performance art using performative approaches, especially those of the oral history. The focus is on the question in which way such ...
  • Rabey, David Ian (Taylor & Francis, 1998-01-29)
    * Product Description: Authoritative in its reference to all Rudkin's work for theatre, cinema, radio and television, this profound critical study aims to prompt a reappraisal of his work in current dramatic, theoretical, ...
  • O'Malley, Thomas (Longman, 2001-04)
  • Creeber, G.; Martin, R. (Open University Press, 2008-12-01)
  • Creeber, G.; Martin, R.; Film and Television Research; Department of Theatre, Film & Television Studies (Open University Press, 2008-12-01)
  • Picardie, Michael (Aberystwyth UniversityTheatre, Film and Television Studies, 2009)
    It is hypothesised and corroborated that there is a positive aesthetic interaction between the emotional pulse (Kristeva’s chora - what she calls the semiotic) and the actual symbolic meaning in the theatrical action ...
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2013)
    Lighting design for the scenic proposition and participatory theatre event 'The Reading Room', concluding the 'The Dyas Sisters' project (Quarantine, 2013), developed within the context of Brookes' long-term collaboration ...
  • EatEat 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the context-specific theatre event 'Eat Eat' (Quarantine, 2003). The production initiated Brookes' subsequent long-term collaboration with the company. Produced and presented with Leicester Haymarket, ...
  • Banham, Simon (2003)
    EatEat: a performative meal created with Leicester based refugees and asylum seekers. Audience and performers sat together around a 10m long concrete table in Leicester's oldest building, the Guildhall. Sharing a meal or ...
  • Lavery, Melanie (Aberystwyth University, 2014)
  • Rabey, David Ian (Wiley, 2006-09-29)
    This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers ...
  • Daniels, Stephen; Pearson, Michael; Roms, Heike Pearson (2010-12-01)
    The editorial for an issue of Performance Research dedicated to contributions emergent from the AHRC 'Landscape and Environment' programme's 'Living Landscapes' conference staged in Aberystwyth University
  • Mangold, Alexander C. (Aberystwyth University, 2010)
    This study argues that Sarah Kane’s work for the theatre proposes a new tragic aesthetic for the contemporary stage which in many ways transcends the limited genre definitions with which her work is generally associated. ...

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