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Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

Now showing items 64-83 of 238

EatEat/ Rantsoen

Banham, Simon (2003)

EatEat: a performative meal created with Leicester based refugees and asylum seekers. Audience and performers sat together around a 10m long concrete table in Leicester's oldest building, the Guildhall. Sharing a meal or ...
The Empty I Sarah Kane and the Aesthetics of the New Tragic

Mangold, Alexander C. (Aberystwyth University, 2010)

This study argues that Sarah Kane’s work for the theatre proposes a new tragic aesthetic for the contemporary stage which in many ways transcends the limited genre definitions with which her work is generally associated. ...
English Drama Since 1940

Rabey, David Ian (Routledge, 2003-01-23)

English Drama since 1940 considers the bids of successive post-war dramatists to find language and images of remorseless disclosure, appropriate to the public manifestation of sensed crisis and the interrogation of the ...
Enlarging the small ones: a critical reflection on the MA performance by Shannon Roszell

Roszell, Shannon (Aberystwyth UniversityTheatre, Film and Television Studies, 2010)

The Performance. ‘The Small Ones’ examines just those: the small items, the small moments and the small memories that compose a life. It is a solo performance exploring memory and object juxtaposing live-feed projections ...
Entitled

Performance Research; Department of Theatre, Film & Television Studies; Brookes, Michael Jonathan (2011)

Lighting design for the theatre work 'Entitled' (Quarantine, 2011), developed within the context of Brookes' long-term collaboration with the company. Initially presented within The Royal Exchange Theatre, Manchester, in ...
Entitled : Scenographic design work for Quarantine Theatre Company considering how might we explore theatrically experiences of hope, privilege and disappointment, and negotiate, on and off stage, the impossibility of trying to arrive at a point of completion or perfection.

Department of Theatre, Film & Television Studies; Performance Research; Banham, Simon James (Quarantine, 2011-07-07)
Envisaging ‘Visualisation’: Some challenges from the international Lord of the Rings audience project

Barker, Martin (Film-Philosophy, 2006)

This essay explores a series of issues which have emerged around the term ‘visualisation’ as a result of materials generated out of the international Lord of the Rings audience project. ‘Visualisation’ is quite widely used ...
Envisaging ‘Visualisation’: Some challenges from the international Lord of the Rings audience project

Barker, Martin (2006-12)

This essay explores a series of issues which have emerged around the term ‘visualisation’ as a result of materials generated out of the international Lord of the Rings audience project.‘Visualisation’ is quite widely used ...
Eventful Evidence: Historicizing Performance Art

Roms, Heike (2008-11-14)

Published alongside Slovene translation: 'Dodokovni dokazi / Dogodkovno dokazovanje: Zgodoviniti performans'; translator: Barbara Hribar.
FAIL

Turner, Naomi (Aberystwyth UniversityTheatre, Film and Television Studies, 2010)

"In this world I feel trapped. I can never make up my mind whether I want to fit in or whether I’m proud of being different. As independent and as free as I try to be, or think I am, I am relentlessly aware of being ...
The Film Society and the Creation of an Alternative Film Culture in Britain in the 1920's

Sexton, Jamie (University of Exeter Press, 2002)
Flirting with Disaster

Rabey, David Ian (Hertfordshire University Press, 2010-12-01)

An analysis of contact points between the forces of Eros and Thanatos, philosophy and speculative theatre, with particular reference to the writings of the philosophers Alphonso Lingis and Anne Dufourmantelle.
Folklore Studies and Popular Film and Television: A Necessary Critical Survey

Koven, Mikel (2003)

The study of folklore and popular film and television, although frequently ignored by folkloristics and film scholars alike, has produced a number of articles and paradigms which not only inform its own study, but also ...
For You

Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2008)

Lighting design for the initial production of the Ian McEwan and Michael Berkeley opera work 'For You' (Music Theatre Wales, 2008). Originally presented at the Royal Opera House, Covent Garden, London, 2008; with subsequent ...
For You : Scenographic design work for Music Theatre Wales’s opera, supported by the Arts Council of Wales, Arts Council England, Esmee Fairbairn Foundation, the PRS Foundation, and the Paul Hamlyn Foundation. Part of the researcher’s developing body of design work that is advancing current scenographic and performance thinking applied to the particular performance structure of contemporary opera.

Banham, S.; Wales, Music Theatre (Music Theatre Wales, 2008-10-20)

A new Opera. Composer: Michael Berkeley Libretto: Ian McEwan, commissioned by Music Theatre Wales. A minimalist and kinetic scenographic exploration. This was a development beyond the static scene or referenced 'place' ...
From Art to Avant Garde? Television, Formalism and the Arts Documentary in 1960's Britain

Sexton, Jamie (Manchester University Press, 2008)
From the Laboratory to the Centre: History, Training, the Academy and the Book

Watt, Daniel (Centre for Performance Research, 2006)

A speculation on the future of performance and an evocation of the history of the Centre for Performance Research (CPR) The Aberystwyth based Centre for Performance Research (CPR) concludes its recent celebration of 30 ...
Gadamer, History and the Classics: Fugard, Marowitz, Berkoff and Harrison Rewrite the Theatre

Forsyth, Alison (Peter Lang, 2002)

Should The Merchant of Venice be staged post-Holocaust? How was Antigone (an icon of noble suffering in the Western liberal humanist tradition) received in Apartheid-riven South Africa? These are some of the questions ...
The Garden of Adrian

Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2009)

Lighting design for the located one-to-one performance work 'The Garden of Adrian' (Howells, A., 2009). Developed and presented as part of a specifically constructed garden, within the interior of a former church, University ...
Geneva

Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)

Lighting design for the theatre work 'Geneva' (Quarantine, 2003), developed within the context of Brookes' long-term collaboration with the company. Produced and presented with Northern Stage, Newcastle, in 2003.

Now showing items 64-83 of 238

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