Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

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Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

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  • Gritzner, Karoline (Cambridge Scholars Publishing, 2006-01-01)
  • FAIL 
    Turner, Naomi (Aberystwyth UniversityTheatre, Film and Television Studies, 2010)
    "In this world I feel trapped. I can never make up my mind whether I want to fit in or whether I’m proud of being different. As independent and as free as I try to be, or think I am, I am relentlessly aware of being ...
  • Rabey, David Ian (Hertfordshire University Press, 2010-12-01)
    An analysis of contact points between the forces of Eros and Thanatos, philosophy and speculative theatre, with particular reference to the writings of the philosophers Alphonso Lingis and Anne Dufourmantelle.
  • Koven, Mikel (2003)
    The study of folklore and popular film and television, although frequently ignored by folkloristics and film scholars alike, has produced a number of articles and paradigms which not only inform its own study, but also ...
  • Jenner, Mareike (Aberystwyth UniversityTheatre, Film and Television Studies, 2013)
    This thesis deals with methods of detection i.e. the mode of investigation employed to catch a criminal in American detective dramas on television. It divides methods of detection into the categories of ‘rational-scientific’ ...
  • For You 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2008)
    Lighting design for the initial production of the Ian McEwan and Michael Berkeley opera work 'For You' (Music Theatre Wales, 2008). Originally presented at the Royal Opera House, Covent Garden, London, 2008; with subsequent ...
  • Banham, S.; Wales, Music Theatre (Music Theatre Wales, 2008-10-20)
    A new Opera. Composer: Michael Berkeley Libretto: Ian McEwan, commissioned by Music Theatre Wales. A minimalist and kinetic scenographic exploration. This was a development beyond the static scene or referenced 'place' ...
  • Forsyth, Alison (Peter Lang, 2002)
    Should The Merchant of Venice be staged post-Holocaust? How was Antigone (an icon of noble suffering in the Western liberal humanist tradition) received in Apartheid-riven South Africa? These are some of the questions ...
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2009)
    Lighting design for the located one-to-one performance work 'The Garden of Adrian' (Howells, A., 2009). Developed and presented as part of a specifically constructed garden, within the interior of a former church, University ...
  • Geneva 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the theatre work 'Geneva' (Quarantine, 2003), developed within the context of Brookes' long-term collaboration with the company. Produced and presented with Northern Stage, Newcastle, in 2003.
  • Forsyth, Alison (Palgrave Macmillan, 2009)
    Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishing range of performance styles, ...
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2008)
    Lighting design for the contemporary solo dance work 'Gloria Days' (Rees, M., 2007). Originally developed and presented within the Millennium Centre, Cardiff; with subsequent performances across touring dates within Europe ...
  • Grace 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2005)
    Lighting design for the large-scale ensemble theatre work 'Grace' (Quarantine, 2005), developed within the context of Brookes' long-term collaboration with the company. Produced and presented within Contact, Manchester, in 2005.
  • Gravitas 
    Brookes, M. J. (2008)
    Production design, using informally hung large-scale digital photographic image works - industrially printed on to tarpaulins of 18m x 3m and 12m x 3m - to shape and define the performance space for a touring dance theatre work.
  • Owen, Thomas Roger (University of Wales Press, 2007)
  • Creeber, Glen (2004)
    This article will argue that despite gaining praise from around the world for its particular form of 'public service broadcasting,' the British Broadcasting Corporation has proved to be surprisingly poor at reflecting the ...
  • Brookes, M. J.; Casado, Rosa (Unknown Publisher, 2008)
    Object work, for gallery exhibition - developed within the wider research framework of the project 'one thing leads to another' - and produced and placed as part of an ongoing series of small, ephemeral, and context-specific ...
  • Sills-Jones, Dafydd (Aberystwyth UniversityTheatre, Film and Television Studies, 2009)
    This thesis is an examination of the connection between the changes in the political economy of television, and changes in history documentary form, between 1982 and 2002 on UK terrestrial television. It reviews the ...

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