Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

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Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

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  • Forsyth, Alison (Peter Lang, 2002)
    Should The Merchant of Venice be staged post-Holocaust? How was Antigone (an icon of noble suffering in the Western liberal humanist tradition) received in Apartheid-riven South Africa? These are some of the questions ...
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2009)
    Lighting design for the located one-to-one performance work 'The Garden of Adrian' (Howells, A., 2009). Developed and presented as part of a specifically constructed garden, within the interior of a former church, University ...
  • Geneva 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the theatre work 'Geneva' (Quarantine, 2003), developed within the context of Brookes' long-term collaboration with the company. Produced and presented with Northern Stage, Newcastle, in 2003.
  • Forsyth, Alison (Palgrave Macmillan, 2009)
    Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishing range of performance styles, ...
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2008)
    Lighting design for the contemporary solo dance work 'Gloria Days' (Rees, M., 2007). Originally developed and presented within the Millennium Centre, Cardiff; with subsequent performances across touring dates within Europe ...
  • Grace 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2005)
    Lighting design for the large-scale ensemble theatre work 'Grace' (Quarantine, 2005), developed within the context of Brookes' long-term collaboration with the company. Produced and presented within Contact, Manchester, in 2005.
  • Gravitas 
    Brookes, M. J. (2008)
    Production design, using informally hung large-scale digital photographic image works - industrially printed on to tarpaulins of 18m x 3m and 12m x 3m - to shape and define the performance space for a touring dance theatre work.
  • Owen, Thomas Roger (University of Wales Press, 2007)
  • Creeber, Glen (2004)
    This article will argue that despite gaining praise from around the world for its particular form of 'public service broadcasting,' the British Broadcasting Corporation has proved to be surprisingly poor at reflecting the ...
  • Brookes, M. J.; Casado, Rosa (Unknown Publisher, 2008)
    Object work, for gallery exhibition - developed within the wider research framework of the project 'one thing leads to another' - and produced and placed as part of an ongoing series of small, ephemeral, and context-specific ...
  • Sills-Jones, Dafydd (Aberystwyth UniversityTheatre, Film and Television Studies, 2009)
    This thesis is an examination of the connection between the changes in the political economy of television, and changes in history documentary form, between 1982 and 2002 on UK terrestrial television. It reviews the ...
  • Beumers, Birgit (Berg Publishers, 2009-02-03)
    Film emerged in pre-Revolutionary Russia to become the “most important of all arts” for the new Bolshevik regime and its propaganda machine. The 1920s saw a flowering of film experimentation, notably with the work of ...
  • Sills-Jones, Dafydd (UVK Verlagsgesellschaft mbH, 2012-05)
  • Rabey, David Ian (Palgrave Macmillan, 2009)
    Howard Barker’s theatre is uniquely alluring and startlingly original, bringing together classical discipline, moral ruthlessness and transgressive eroticism, in a form and experience Barker terms Theatre of Catastrophe. ...
  • Rabey, David Ian (Palgrave Macmillan, 2009-01-30)
    This is a paperback edition of this landmark study of Howard Barker's drama and poetry between 1969 and 1987. New paperback edition of this 1989 book will publish to coincide with major season of Barker's work in Paris in ...
  • Roms, Heike (Aberystwyth UniversityTheatre, Film and Television Studies, 2001)
    Identifying (with) performance: Representations and Constructions of Cultural Identity in Contemporary Theatre Practice - Three Case Studies discusses ways in which contemporary live performance affirms, challenges or ...
  • Williams, Ioan (Welsh Medium University Education, 2007)
    Gwerddon is an interdisciplinary e-journal that publishes scholarly work across the Arts, Humanities and Sciences. The main aim of Gwerddon is to stimulate scholarly discussion through the medium of Welsh, encourage the ...
  • Barker, Martin (2006)
    Audience research, after a promising period during which some crucial advances were made, seems to be in decline in several ways, yet its tasks remain as important as ever. This article, originally a presentation at the ...
  • Banham, S. (Quarantine, 2010-06-30)
    The creation of an 'e' book documenting and interrogating the creation of Quarantine's most recent piece Make-believe. This will parallel the deconstruction of the theatrical presentation through the re-presentation of ...
  • Pearson, Mike (University of Exeter Press, 2007)
    'In Comes I' is about performance and land, biography and locality, memory and place. The book reflects on performances past and present, taking the form of a series of excursions in the agricultural landscape of eastern ...

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