Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

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  • Rabey, David Ian (Taylor & Francis, 1998-01-29)
    * Product Description: Authoritative in its reference to all Rudkin's work for theatre, cinema, radio and television, this profound critical study aims to prompt a reappraisal of his work in current dramatic, theoretical, ...
  • O'Malley, Thomas (Longman, 2001-04)
  • O'Malley, Thomas (Longman, 2001-04)
  • Creeber, G.; Martin, R. (Open University Press, 2008-12-01)
  • Creeber, G.; Martin, R.; Film and Television Research; Department of Theatre, Film & Television Studies (Open University Press, 2008-12-01)
  • Picardie, Michael (Aberystwyth UniversityTheatre, Film and Television Studies, 2009)
    It is hypothesised and corroborated that there is a positive aesthetic interaction between the emotional pulse (Kristeva’s chora - what she calls the semiotic) and the actual symbolic meaning in the theatrical action ...
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2013)
    Lighting design for the scenic proposition and participatory theatre event 'The Reading Room', concluding the 'The Dyas Sisters' project (Quarantine, 2013), developed within the context of Brookes' long-term collaboration ...
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2013)
    Lighting design for the scenic proposition and participatory theatre event 'The Reading Room', concluding the 'The Dyas Sisters' project (Quarantine, 2013), developed within the context of Brookes' long-term collaboration ...
  • Eat Eat 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the context-specific theatre event 'Eat Eat' (Quarantine, 2003). The production initiated Brookes' subsequent long-term collaboration with the company. Produced and presented with Leicester Haymarket, ...
  • EatEat 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the context-specific theatre event 'Eat Eat' (Quarantine, 2003). The production initiated Brookes' subsequent long-term collaboration with the company. Produced and presented with Leicester Haymarket, ...
  • EatEat 
    Banham, Simon (2003-06)
    A performative meal created with Leicester based refugees and asylum seekers.Audience and performers sat together around a 10m long concrete table in Leicester's oldest building, the Guildhall. Sharing a meal or chatting ...
  • Banham, Simon (2003)
    EatEat: a performative meal created with Leicester based refugees and asylum seekers. Audience and performers sat together around a 10m long concrete table in Leicester's oldest building, the Guildhall. Sharing a meal or ...
  • Lavery, Melanie (Aberystwyth University, 2014)
  • David Ian (John Wiley & Sons, 2006-09-29)
    This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers ...
  • Rabey, David Ian (Wiley, 2006-09-29)
    This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers ...
  • Mangold, Alexander C. (Aberystwyth University, 2010)
    This study argues that Sarah Kane’s work for the theatre proposes a new tragic aesthetic for the contemporary stage which in many ways transcends the limited genre definitions with which her work is generally associated. ...
  • Heike (Taylor & Francis, 2006-06-07)
    Europe at the turn of the twenty-first century is a place where the practice of theatre still matters. Theatre remains a place and a practice in which pressing questions of political and personal identity, desire, imagination ...
  • Roms, Heike (Taylor & Francis, 2006-06-07)
    Europe at the turn of the twenty-first century is a place where the practice of theatre still matters. Theatre remains a place and a practice in which pressing questions of political and personal identity, desire, imagination ...

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