Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Issue Date

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Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Issue Date

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  • Barker, Martin (2002)
    It is now four years since the considerable crisis that pervaded British cinema politics finally juddered to a halt as David Cronenberg's Crash (1996) was released at last to the screens, uncut as an '18'. The controversy ...
  • Barker, Martin (2002)
    I never dreamed that I would become a comics researcher. Just about everything about me indicated against it. I didn't much read comics as a child (the odd solace of comics on holiday, plus a period of secret fascination ...
  • Geneva 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the theatre work 'Geneva' (Quarantine, 2003), developed within the context of Brookes' long-term collaboration with the company. Produced and presented with Northern Stage, Newcastle, in 2003.
  • Eat Eat 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the context-specific theatre event 'Eat Eat' (Quarantine, 2003). The production initiated Brookes' subsequent long-term collaboration with the company. Produced and presented with Leicester Haymarket, ...
  • Koven, Mikel (2003)
    The study of folklore and popular film and television, although frequently ignored by folkloristics and film scholars alike, has produced a number of articles and paradigms which not only inform its own study, but also ...
  • Banham, Simon (2003)
    EatEat: a performative meal created with Leicester based refugees and asylum seekers. Audience and performers sat together around a 10m long concrete table in Leicester's oldest building, the Guildhall. Sharing a meal or ...
  • Zoo, U-Man; Downing, Richard (2003)
    Aqua Impura is delivered to an audience of only eighteen gathered at the table. Borrowing the structure of social dining, these eighteen guests are served a series of offerings (grouped as 'Beginnings', 'Middles' and 'Ends') ...
  • Gough, Richard (2003)
  • Barker, Martin (2003)
    A number of recent works on methodology for media and communication studies have sought to embrace the contributions from cultural studies qualitative investigations, in particular for their contribution to our understanding ...
  • Rabey, David Ian (Routledge, 2003-01-23)
    English Drama since 1940 considers the bids of successive post-war dramatists to find language and images of remorseless disclosure, appropriate to the public manifestation of sensed crisis and the interrogation of the ...
  • Barker, Martin (2003-03)
    In 1996 David Cronenberg’s film of J.G. Ballard’s Crash led to a huge controversy in Britain, much of which turned on claims of what the film might do to its audience, claims which were the subject of a major ESRC-funded ...
  • Owen, Thomas Roger (Gwasg Prifysgol Cymru, 2003-07)
  • Y Drioleg 
    Ames, Margaret; Lewis, Euros (2004)
    Y Drioleg is a trilogy of contemporary dance theatre performances that explores the social and artistic significance of traditional modes of physical and vocal expression for a minority language community. The work seeks ...
  • Creeber, Glen (2004)
    This article will argue that despite gaining praise from around the world for its particular form of 'public service broadcasting,' the British Broadcasting Corporation has proved to be surprisingly poor at reflecting the ...
  • Butterfly 
    Performance Research; Department of Theatre, Film & Television Studies; Brookes, Michael Jonathan (Quarantine, 2004)
    Lighting design for the located theatre event 'Butterfly' (Quarantine, 2004), developed within the context of Brookes' long-term collaboration with the company. Commissioned and presented within Tramway, Glasgow, 2004.
  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2004)
    Lighting design for the context-specific theatre work 'White Trash' (Quarantine, 2004), developed within the context of Brookes' long-term collaboration with the company. Produced and presented with Contact, Manchester, in 2004.

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