Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Issue Date

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  • Barker, Martin (2002)
    It is now four years since the considerable crisis that pervaded British cinema politics finally juddered to a halt as David Cronenberg's Crash (1996) was released at last to the screens, uncut as an '18'. The controversy ...
  • Forsyth, Alison (Peter Lang, 2002)
    Should The Merchant of Venice be staged post-Holocaust? How was Antigone (an icon of noble suffering in the Western liberal humanist tradition) received in Apartheid-riven South Africa? These are some of the questions ...
  • Barker, Martin (2002)
    I never dreamed that I would become a comics researcher. Just about everything about me indicated against it. I didn't much read comics as a child (the odd solace of comics on holiday, plus a period of secret fascination ...
  • Zoo, U-Man; Downing, Richard (2003)
    Aqua Impura is delivered to an audience of only eighteen gathered at the table. Borrowing the structure of social dining, these eighteen guests are served a series of offerings (grouped as 'Beginnings', 'Middles' and 'Ends') ...
  • Banham, Simon (2003)
    EatEat: a performative meal created with Leicester based refugees and asylum seekers. Audience and performers sat together around a 10m long concrete table in Leicester's oldest building, the Guildhall. Sharing a meal or ...
  • Gough, Richard (2003)
  • EatEat 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the context-specific theatre event 'Eat Eat' (Quarantine, 2003). The production initiated Brookes' subsequent long-term collaboration with the company. Produced and presented with Leicester Haymarket, ...
  • Barker, Martin (2003)
    A number of recent works on methodology for media and communication studies have sought to embrace the contributions from cultural studies qualitative investigations, in particular for their contribution to our understanding ...
  • Geneva 
    Department of Theatre, Film and Television Studies; Performance Research; Brookes, Michael Jonathan (2003)
    Lighting design for the theatre work 'Geneva' (Quarantine, 2003), developed within the context of Brookes' long-term collaboration with the company. Produced and presented with Northern Stage, Newcastle, in 2003.
  • Rabey, David Ian (Taylor & Francis, 2003-01-23)
    English Drama since 1940 considers the bids of successive post-war dramatists to find language and images of remorseless disclosure, appropriate to the public manifestation of sensed crisis and the interrogation of the ...
  • Barker, Martin (2003-03)
    In 1996 David Cronenberg’s film of J.G. Ballard’s Crash led to a huge controversy in Britain, much of which turned on claims of what the film might do to its audience, claims which were the subject of a major ESRC-funded ...
  • Owen, Thomas Roger (Gwasg Prifysgol Cymru | University of Wales Press, 2003-07)
  • Greenhalgh, Jill; Brookes, Michael; Casado, Rosa (Teatro Nomad, 2004)
    This is the first piece by Nomad Teatro. It asks questions about the phenomenon of migration. The project starts from the social, economic and cultural conflict that affects our daily lives - the movement of people from ...
  • Butterfly 
    Simon James (Quarantine, 2004)
  • Banham, Simon (Quarantine Theatre Company, 2004)
    White Trash is a dirty ballet of reality. It was created with and performed by seven young white working-class men from Manchester. They played pool and the audience watched. Out of the banality of their game and their ...
  • Brookes, Michael; Pearson, Michael John (2004)
    'There’s someone in the house…' was commissioned by the 'site/sight:source/resource' symposium, University of Exeter, and presented at Exeter Phoenix, supported by a production grant of £1,250. The work being realised ...
  • Stafell B 
    Eddie (Wales Arts International, 2004)

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