Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Issue Date

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Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Issue Date

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  • Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2004)
    Lighting design for the context-specific theatre work 'White Trash' (Quarantine, 2004), developed within the context of Brookes' long-term collaboration with the company. Produced and presented with Contact, Manchester, in 2004.
  • Butterfly 
    Performance Research; Department of Theatre, Film & Television Studies; Brookes, Michael Jonathan (Quarantine, 2004)
    Lighting design for the located theatre event 'Butterfly' (Quarantine, 2004), developed within the context of Brookes' long-term collaboration with the company. Commissioned and presented within Tramway, Glasgow, 2004.
  • Williams, Ioan (Cambridge University Press, 2004)
    This is the the three-volume set of the Cambridge History of British Theatre, general editor: Peter Thomson. The individual volumes are: Milling and Thomson/Cambridge History of British Theatre, vol. 1: Origins to 1660 ...
  • Rantsoen 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2004)
    Lighting design for the context-specific theatre event 'Rantsoen' (Quarantine, 2004), developed within the context of Brookes' long-term collaboration with the company. Produced and presented in association with Victoria, ...
  • Butterfly 
    Banham, Simon James (Quarantine, 2004)
  • Creeber, Glen (2004)
    This article will argue that despite gaining praise from around the world for its particular form of 'public service broadcasting,' the British Broadcasting Corporation has proved to be surprisingly poor at reflecting the ...
  • Brookes, Michael Jonathan; Pearson, Michael John; Thomas, Ed (2004)
    'Who are you looking at?' was developed in collaboration with Mike Pearson and Welsh playwright Ed Thomas, and presented under the umbrella of Brookes and Pearson's performance collective 'Pearson/Brookes'. Realised over ...
  • Chandler, Daniel; Griffiths, Merris (Wallflower Press, 2004)
  • Barker, Martin (Manchester University Press, 2004)
    New Hollywood Violenceis a groundbreaking collection of essays devoted to an interrogation of various aspects, dimensions, and depictions of violence in New Hollywood filmmaking. 'New Hollywood' refers to the return to ...
  • Stafell B 
    Ladd, Eddie (Wales Arts International, 2004)
  • Rabey, David Ian (Intellect, 2004-01-01)
    A first volume of plays by a startlingly ambitious and inventive dramatist. The Back of Beyond takes, as its starting point, the route of a sequel to King Lear, in which the surviving Shakespearean characters set out on ...
  • Roms, Heike (2004-11)
    This article discusses Polis, the latest performance in a long line of theatrical investigations by its director Mike Pearson, first with Welsh company Brith Gof, then with Pearson/Brookes, into the relationship between ...
  • Creeber, Glen (British Film Institute, 2004-12)
    Serial Television focuses on contemporary television drama, offering detailed accounts of hugely popular, influential, and groundbreaking shows such as The Sopranos, Queer as Folk, Sex and the City, Twin Peaks, This Life, ...
  • Grace 
    Department of Theatre, Film & Television Studies; Performance Research; Brookes, Michael Jonathan (2005)
    Lighting design for the large-scale ensemble theatre work 'Grace' (Quarantine, 2005), developed within the context of Brookes' long-term collaboration with the company. Produced and presented within Contact, Manchester, in 2005.
  • Barker, Martin (2005)
    The concept of ‘identification’ remains a commonly called-upon resource for considering how media audiences might be influenced into taking up moral and cultural positions. Yet very little empirical evidence exists to ...
  • Research, Centre for Performance (Unknown Publisher, 2005)
    Despite an early emphasis in our work upon the potential for creative interplay between archive and studio, the actual chronicle of CLT and CPR work has been partial and the documentation of process fragmentary. For this ...
  • Barker, Martin; Mathijs, Ernest (2005)
    It is widely recognized that students' vernacular engagements with a subject such as films can interfere with their willingness to make them an object of academic study. This essay reports the findings of a small action ...

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