Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

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Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Title

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  • Rain Dogs 
    Brookes, Michael; Pearson, Michael John; Thomas, Ed (2002)
    'Rain dogs' was presented at Chapter, Cardiff, supported by a production grant of £15,000 from the Arts Council of Wales. The work being realised in collaboration with Mike Pearson and Welsh playwright Ed Thomas, and ...
  • Ladd, Eddie (2009-10-29)
    Bu Bobby Sands farw ym 1981 tra’n ymprydio yng ngharchar Long Kesh yn Belfast. Ei nod oedd ad-ennill statws gwleidyddol i’r carcharorion gweriniaethol. Wedi chwilio ymhellach daw i glawr ei fod wedi bod yn aelod o glwb ...
  • Hunter, Russell (Aberystwyth University, 2009)
    This thesis presents the processes and outcomes of a comparative critical reception study of the films of Italian horror and giallo director Dario Argento in the UK and Italy. Situating itself broadly within the study of ...
  • Forsyth, Alison (Cambridge Scholars Press, 2007)
    The scholars included in this collection sought to indicate more contemporary working definitions for the expression 'American Dream', or rather Dreams. The multidisciplinary selections come from many countries and represent ...
  • Barker, Martin (Unknown Publisher, 2008-06-23)
    This is a report on what can be learnt from our world dataset about viewers of The Lord of the Rings who were aged under 16. In this report, I draw both on the world set, and on the UK subset, sometimes drawing comparisons ...
  • Staniforth, Amy (2009-03-01)
    The discovery in 1959 of the fossil fragments that would become the Zinjanthropus boisei skull propelled Olduvai Gorge, the Leakey family, and the search for human origins into the glare of the world's media. This triumvirate ...
  • Thompson, Melissa (2008)
    Richard Gough’s talent for taking risks came at an early age. He left school at age 17, and while others were deciding whether to take up a trade or go to university, Gough struck out on his own journey, deciding to create ...
  • Egan, Kate; Barker, Martin (2006-11)
    In a recent article, Sonia Livingstone has attempted to summarise some of the many problems, complexities and challenges which researchers face when conducting cross-cultural audience projects. This essay tells the story ...
  • Cormack, Sinéad (Aberystwyth UniversityTheatre, Film and Television Studies, 2010-02)
    The practice-as-research projected ‘RUN FOR YOUR LIFE’ is a sixty minute autobiographical solo performance. The performance took place on a scale map painted on a black floor, marking all of the world’s countries and their ...
  • Mathijs, Ernest; Barker, Martin (Walking Tree, 2007)
    Following the release in 2001 of the first film of Peter Jackson's adapted trilogy of J.R.R. Tolkien's The Lord of the Rings: the Fellowship of The Ring, a wave of 'Ring Fever' swamped the world, with reprints of the novel, ...
  • Research, Centre for Performance (CPR, 2009-05-12)
    On 12th May 2009 the Theatre, Film and Television Studies Department (TFTS) and the Centre for Performance Research (CPR) will welcome new Departmental Fellow Barbara Cavanagh and we would like to invite you to attend an ...
  • Melia, Caroline (Aberystwyth UniversityTheatre, Film and Television Studies, 2010-02)
    Shifting Sands Summary. In Shifting Sands, I was examining how historical fact and myth combine forming stories on the boundary of truth and fiction. The performance itself took place as a site-specific, hour long ...
  • Richards, Lisa (Aberystwyth UniversityTheatre, Film and Television Studies, 2011)
  • Stafell B 
    Ladd, Eddie (Wales Arts International, 2004)
  • Stafell C 
    Ladd, Eddie (2006)
  • Allen, Richard (CPR, 2010-10)
    I entered the collection with an agenda: I wanted to locate the material it held on stage machinery; trap doors, revolving stages, fly towers and winch systems, and - if I was lucky, trick props and stage effects, items ...
  • Banham, Simon (Quarantine, 2006)
  • Gough, Richard (CPR, 2009-05-12)
    John Cavanagh began collecting books on theatre when he was studying at Oxford in the late 1940s and at the point of his death the library amounted to 22,000 books (at one point it had been in excess of 30,000) and a large ...
  • Owen, Roger (CPR, 2009-05-12)
    Notes for the Cavanagh Collection seminar: or ‘How the stories of young men in the War became a part of their comic demeanour and the narrative agency of their own (auto)biography.’
  • Banham, Simon (CPR, 2009-05-12)
    In search of Neher: notes from a presentation A few days before I came to the archive a theatre director called Annie Castledine phoned me after many years silence, Annie had been a significant person in my early career ...

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