Browsing Astudiaethau Theatr, Ffilm a Theledu / Theatre, Film & Television Studies by Issue Date

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  • Rabey, David Ian (Palgrave Macmillan, 1990-11-15)
    A critical survey of the development of British & Irish political drama, with particular attention to the changing attitudes of the playwright to his audience & his tactics to engage it in the dramatic & political tensions ...
  • Rabey, David Ian (Routledge, 1998-01-29)
    * Product Description: Authoritative in its reference to all Rudkin's work for theatre, cinema, radio and television, this profound critical study aims to prompt a reappraisal of his work in current dramatic, theoretical, ...
  • Miskell, Peter (Aberystwyth University, 2000)
    This thesis is a social history of the cinema in Wales. It examines the position of the cinema, as an institution, in Welsh society in the period when film-going was at its peak. It argues that from the 1920s to the 1950s ...
  • Roms, Heike (Aberystwyth UniversityTheatre, Film and Television Studies, 2001)
    Identifying (with) performance: Representations and Constructions of Cultural Identity in Contemporary Theatre Practice - Three Case Studies discusses ways in which contemporary live performance affirms, challenges or ...
  • Pearson, Michael John; Shanks, Michael (Routledge, 2001)
    Theatre/Archaeology is a provocative challenge to disciplinary practice and intellectual boundaries. It brings together radical proposals in both archaeological and performance theory to generate a startlingly original and ...
  • Brookes, Michael; Pearson, Michael John (2001)
    'Carrying Lyn' was commissioned by Chapter, Cardiff and performed in the arts centre and on the city streets. The work was realised within the context of Mike Brookes and Mike Pearson's long term collaboration, under the ...
  • Harindranath, Ramaswami; Barker, Martin; Arthurs, Jane (Wallflower Press, 2001)
    Between 1996–97 an almost unprecedented campaign was mounted in the British press against on one film: David Cronenberg’s Crash. What motivated this campaign? What can it tell us about British film culture? What impact did ...
  • Downing, Richard (U-Man Zoo (Performance Research Company), 2001)
    'Water Banquet' is the generic title of a series of performance and installation works stemming from the placement and animation of an extraordinary table of water, thirty feet long and six feet wide. Each manifestation ...
  • Thomas, Ned; King, Alan; Jones, E. H. G. (2001)
    Our brief was to look at the field from the pers pective of smaller languages – both regional and minority languages and the smallest state languages . The objectives of the study were: to assess both the problems created ...
  • Polis 
    Brookes, Michael Jonathan; Pearson, Michael John (2001)
    Commissioned and presented in Cardiff, in 2001, 'Polis' was realised within the context of Mike Brookes and Mike Pearson's long term collaboration, under the umbrella of their performance collective 'Pearson/Brookes'. A ...
  • Downing, Richard (2001)
  • O'Malley, Thomas (Longman, 2001-04)
  • Jones, Anwen (2001-04)
    The successive versions of L'Annonce faite à Marie reveal Paul Claudel's difficult search for effective dramatic representation of elusive spiritual forces. The early versions reflecting the weaknesses of French Symbolist ...
  • Campbell, Patrick; Kear, Adrian (Routledge, 2001-05-24)
    Never before has the relationship between psychoanalysis and performance been mapped out, either in terms of analyzing the nature of performance itself, or in terms of making sense of specific performance-related activities. ...
  • Barker, Martin (2002)
    I never dreamed that I would become a comics researcher. Just about everything about me indicated against it. I didn't much read comics as a child (the odd solace of comics on holiday, plus a period of secret fascination ...
  • Rain Dogs 
    Brookes, Michael; Pearson, Michael John; Thomas, Ed (2002)
    'Rain dogs' was presented at Chapter, Cardiff, supported by a production grant of £15,000 from the Arts Council of Wales. The work being realised in collaboration with Mike Pearson and Welsh playwright Ed Thomas, and ...
  • Greenhalgh, Jill; Brookes, Michael (2002)
  • Barker, Martin (2002)
    It is now four years since the considerable crisis that pervaded British cinema politics finally juddered to a halt as David Cronenberg's Crash (1996) was released at last to the screens, uncut as an '18'. The controversy ...
  • Forsyth, Alison (Peter Lang, 2002)
    Should The Merchant of Venice be staged post-Holocaust? How was Antigone (an icon of noble suffering in the Western liberal humanist tradition) received in Apartheid-riven South Africa? These are some of the questions ...

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