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dc.contributor.advisor Haycock, Marged
dc.contributor.author Kapphahn, K. R. L.
dc.date.accessioned 2010-05-11T08:52:14Z
dc.date.available 2010-05-11T08:52:14Z
dc.date.issued 2009
dc.identifier.citation Kapphahn, K. R. L. (2009) Constructions of Gender in Medieval Welsh Literature, MA dissertation. Adran y Gymraeg/Department of Welsh, Prifysgol Aberystwyth/Aberystwyth University.
dc.identifier.uri http://hdl.handle.net/2160/4637
dc.description.abstract The portrayal of men and women in medieval Welsh literature serves as a social tool by which to illustrate or instruct in ideal behaviour, and to demonstrate the consequences of refusing to fulfil one's obligations in society. From the earliest 'heroic' poetry, where male and female are shown as distinctly opposite poles in the domestic and martial spheres, to the complex relationships of the Four Branches, literary characterisation is employed to address both the ideal and the failures of the social system. This literature is not strictly about the triumph of man, but of the balance of male and female power, the ties of family and obligation, and the importance of adherence to a social code in order to remain accepted by society. Through examining the historic poems of Taliesin, the Gododdin and the englynion cycles, the Four Branches of the Mabinogi and the tale of Culhwch ac Olwen, we can form a picture of the evolution of gender roles in early Wales, in which ways they remain constant and in which they shift over the course of the early middle ages. en
dc.language.iso en en
dc.publisher Aberystwyth University en
dc.title Constructions of Gender in Medieval Welsh Literature en
dc.type Text en
dc.publisher.department Welsh en
dc.type.qualificationlevel taught masters en
dc.type.qualificationname MA en
dc.type.publicationtype thesis or dissertation en


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