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dc.contributor.author Cresswell, Tim J.
dc.contributor.author Dixon, Deborah P.
dc.date.accessioned 2010-10-07T10:31:47Z
dc.date.available 2010-10-07T10:31:47Z
dc.date.issued 2002-03-28
dc.identifier.citation Cresswell , T J & Dixon , D P 2002 , Engaging Film : Geographies of Mobility and Identity . Rowman & Littlefield . en
dc.identifier.other PURE: 151642
dc.identifier.other dspace: 2160/5756
dc.identifier.uri http://hdl.handle.net/2160/5756
dc.identifier.uri http://books.google.com/books?id=Wz3xEzLp5r8C&printsec en
dc.identifier.uri http://www.rowmanlittlefield.com/Catalog/SingleBook.shtml?command=Search&db=%5EDB/CATALOG.db&eqSKUdata=0742508854 en
dc.description Cresswell TJ, Dixon DP. (2002). Engaging Film : Geographies of Mobility and Identity. Rowman & Littlefield, 332 pp. Hardback 368 pp. en
dc.description.abstract This creative, interdisciplinary volume explores the engagements among film, space and identity, and features a section on the use of films in the classroom as a critical pedagogical tool. Focusing on anti-essentialist themes in films and film production, this book examines how social and spatial identities are produced (or dissolved) in films and how mobility is used to create different experiences of time and space. Among the films examined are 'Pulp Fiction', 'Bulworth', 'Terminator 2' and 'The Crying Game', as well as home movies and avant garde films. en
dc.language.iso eng
dc.publisher Rowman & Littlefield
dc.title Engaging Film : Geographies of Mobility and Identity en
dc.type Text en
dc.type.publicationtype Book en
dc.contributor.institution Institute of Geography & Earth Sciences en
dc.contributor.institution Cultural and Historical Geography en


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