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dc.contributor.author Tim J. en_US
dc.contributor.author Deborah P. en_US
dc.date.accessioned 2010-10-07T10:31:47Z
dc.date.available 2010-10-07T10:31:47Z
dc.date.issued 2002-03-28 en_US
dc.identifier.citation Cresswell , T J & Dixon , D P 2002 , Engaging Film : Geographies of Mobility and Identity . Rowman & Littlefield . en_US
dc.identifier.other PURE: 151642 en_US
dc.identifier.other dspace: 2160/5756 en_US
dc.identifier.uri http://hdl.handle.net/2160/5756
dc.description.abstract This creative, interdisciplinary volume explores the engagements among film, space and identity, and features a section on the use of films in the classroom as a critical pedagogical tool. Focusing on anti-essentialist themes in films and film production, this book examines how social and spatial identities are produced (or dissolved) in films and how mobility is used to create different experiences of time and space. Among the films examined are 'Pulp Fiction', 'Bulworth', 'Terminator 2' and 'The Crying Game', as well as home movies and avant garde films. en_US
dc.publisher Rowman & Littlefield en_US
dc.title Engaging Film : Geographies of Mobility and Identity en_US
dc.contributor.pbl Institute of Geography & Earth Sciences en_US
dc.contributor.pbl Cultural and Historical Geography en_US


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