| dc.description.abstract |
This study provides a comprehensive critical account of J. B.
Priestley's novels, and attempts a new classification of them according
to their fictional modes and overall aims. Part One is intended to supply a general framework for the close
studies which follow. It first argues the continued survival and
validity of realism in English fiction and the place of Priestley in
this continuing tradition. His own critical evaluation of this
tradition is then discussed in more detail. The introductory section
closes with an attempt to show the place of his fiction in his writing
life and to trace its interaction with the other. literary forms he has
practised. In Parts Two to Four of the study the novels are analysed in detail
and related to particular modes of fiction. Parts Two and Three examine
six novels which, by their originality of conception, broad scope and
consistent execution seem to stand apart from the typology of Priestley's
lesser fiction suggested in Part Four. This section divides the novels
into three groups; social problem novels of the years 1933-45;
psychological thrillers; and the fables and fantasies. The Conclusion summarises the claims that have been made for Priestley
as a novelist, concentrating on two key aspects: the consistency and
significance of his leading themes and the relation of his merits as a
novelist to a deeper understanding of certain social groups. Finally,
the comparisons already made between Priestley and other novelists are
brought together and their implications for our final valuation of his
fiction discussed. The appendices deal respectively with Priestley's two unfinished
novels, and with his changing reputation as a novelist as it has been
reflected in the contemporary reviews. |
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