Show simple item record Elizabeth en_US
dc.contributor.editor Philosophy en_US 2011-02-22T11:24:32Z 2011-02-22T11:24:32Z 2007 en_US
dc.identifier 10): 1-84718-424-3,(13): 9781847184245 en_US
dc.identifier.citation Jacobs , E 2007 , ' Cherríe Moraga and the Disruption of Psychoanalysis ' . in P Performance (ed.) , Theatres of Thought: Theatre . Cambridge Scholars Publishing , pp. 80-93 . en_US
dc.identifier.other PURE: 157807 en_US
dc.identifier.other dspace: 2160/6131 en_US
dc.description.abstract Theatre, fundamentally, makes things appear. Philosophy, fundamentally, makes things appear. Philosophy is at work in all disciplines. The issue is less about bringing them together but rather articulating the fact that they, like science and art, have never been truly apart. Theatre has been gradually increasing its theoretical articulation over decades, fascinated by the possibility of transforming thought into spectacle. The essays collected in this volume address these issues from wide-ranging perspectives and approaches. They arise from meetings of the Theatre, Performance and Philosophy working group at the 2005 and 2006 conferences of TaPRA (Theatre and Performance Research Association), and from papers presented under the auspices of CTPP (Centre for Theatre, Performance and Philosophy) at Aberystwyth University. en_US
dc.format.extent 14 en_US
dc.publisher Cambridge Scholars Publishing en_US
dc.relation.ispartof Theatres of Thought: Theatre en_US
dc.title Cherríe Moraga and the Disruption of Psychoanalysis en_US
dc.contributor.pbl Department of English and Creative Writing en_US

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