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dc.contributor.author Aitken, S. C.
dc.contributor.author Dixon, Deborah P.
dc.date.accessioned 2011-04-20T11:07:10Z
dc.date.available 2011-04-20T11:07:10Z
dc.date.issued 2006
dc.identifier.citation Aitken , S C & Dixon , D P 2006 , ' Imagining geographies of film ' Erdkunde: Archiv Für Wissenschaftliche Geographie , vol 60 , no. 4 , pp. 326-336 . en
dc.identifier.other PURE: 158700
dc.identifier.other dspace: 2160/6679
dc.identifier.uri http://hdl.handle.net/2160/6679
dc.identifier.uri http://www.erdkunde.uni-bonn.de/erdkunde/download_unprotected/2006_60/EK-2006_60-4-03.pdf en
dc.description Aitken, S.C., Dixon, D.P. (2006). Imagining geographies of film. Erdkunde: Archiv Für Wissenschaftliche Geographie, 60 (4), 326-336 en
dc.description.abstract To the extent that the geographic study of film has come of age, it is important to not only tie it to disciplinary issues but also to push theoretical boundaries. Geographic concern is often lacking a critical perspective, focusing primarily on the geographic realism of films rather than how they produce meaning. Geographers needed to elaborate insights through critical spatial theories, so that our studies are not only about filmic representations of space but are also about the material conditions of lived experience and everyday social practices. With this essay, we argue for more critical film geographies. In doing so, we note how a series of traditional and emergent geographic ‘primitives’ – landscapes, spaces/spatialities, mobilities, scales and networks – are reappraised and push disciplinary boundaries for geography and film studies in general. en
dc.format.extent 11 en
dc.language.iso eng
dc.relation.ispartof Erdkunde: Archiv Für Wissenschaftliche Geographie en
dc.title Imagining geographies of film en
dc.type Text en
dc.type.publicationtype Article (Journal) en
dc.contributor.institution Institute of Geography & Earth Sciences en
dc.contributor.institution Cultural and Historical Geography en
dc.description.status Peer reviewed en


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