Browsing School of Art by Title

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  • Croft, Paul; Arp, Kimberly Paul; Baribeau, Helen; Barnes, Michael; Britton, Daniel; Christison, Tom; Clarke, Alastair; Cline, Clinton; Creenaune, Danielle; Douglas, Emily Arthur; Driesbach, John; Flanders, April; Greider, William; Haas, Kevin; Kelly, Brian; Kimball, Wayne; Macklin, Judy Elizabeth; Peterson, Richard; Pitt, Shelia; Polk, Andrew; Polk, Kathryn; Rush, Kent; Satoshi, Takahira; Seckinger, Linda; Vaden, Cerese; Yazzi, Melanie (University of Arizona Press, 2008-03-23)
    International Portfolio of Lithography presented as an elaborate box set of 25 prints by 25 artists from USA, UK and elsewhere. Inspired by the short story The Machine Stops by E.M. Forster published in 1909, this portfolio ...
  • Whall, Miranda (2010)
  • Whall, Miranda (2010)
  • Crawford, Alistair (Phaidon, 2001)
    Born in 1925, Mario Giacomelli died in November 2000. He trained initially as a typographer and his early interest in graphics became a central part of his later photographic work. Winner of numerous medals and prizes, he ...
  • Crawford, Alistair (Phaidon Press, 2001)
    Born in 1925, Mario Giacomelli died in November 2000. He trained initially as a typographer and his early interest in graphics became a central part of his later photographic work. Winner of numerous medals and prizes, he ...
  • School of Art; Whall, Miranda Jo (2012-04-27)
    The artists in THE MAN DON’T GIVE A FUCK shared similar sensibilities. Their work was laced with a melancholic humour that questions its intentions or seriousness. It can be adolescent, scruffy and surly. Using an often ...
  • School of Art; Whall, Miranda Jo (2012-04-27)
    The artists in THE MAN DON’T GIVE A FUCK shared similar sensibilities. Their work was laced with a melancholic humour that questions its intentions or seriousness. It can be adolescent, scruffy and surly. Using an often ...
  • Pywell, R. F.; Hayes, M. J.; Tallowin, J. R. B.; Walker, K. J.; Meek, W. R.; Carvell, C.; Warman, L. A.; Bullock, J. M. (2010-06)
    Invasion by undesirable plants, such as Cirsium arvense, can constrain attempts to conserve and restore biodiversity in extensively managed temperate grasslands, but control with herbicides can cause environmental harm. ...
  • Pywell, R. F.; Hayes, M. J.; Tallowin, J. R. B.; Walker, K. J.; Meek, W. R.; Carvell, C.; Warman, L. A.; Bullock, J. M. (2010-06)
    Invasion by undesirable plants, such as Cirsium arvense, can constrain attempts to conserve and restore biodiversity in extensively managed temperate grasslands, but control with herbicides can cause environmental harm. ...
  • Whall, Miranda (2009)
    'Mother/Fucker' a video triptych, a video work which digitally manipulated the Gustave Courbet painting L'Origin de Monde. It was made especially for a two person exhibition with painter Flora Whiteley at Gimpel Fils, ...
  • Whall, Miranda (2009)
    'Mother/Fucker' a video triptych, a video work which digitally manipulated the Gustave Courbet painting L'Origin de Monde. It was made especially for a two person exhibition with painter Flora Whiteley at Gimpel Fils, ...
  • Christopher Peter (Cyngor Celfyddydau Cymru, 2008-08-08)
    A series of 5 unique films begun in 2008 completed in 2012 under the working title 'Mythus'. In these filmic fragments are images of dreams, memories and visions. The body of work is an encounter with the processes of a ...
  • Webster, Christopher Peter (Cyngor Celfyddydau Cymru | Arts Council of Wales, 2008-08-08)
    A series of 5 unique films begun in 2008 completed in 2012 under the working title 'Mythus'. In these filmic fragments are images of dreams, memories and visions. The body of work is an encounter with the processes of a ...
  • Meyrick, Robert (2009-12-01)
  • Meyrick, Robert (2009-12-01)
  • Goodwin, Stephen; Pierse, Simon John (2010-02-15)
  • Goodwin, Stephen; Pierse, Simon John (2010-02-15)

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