Show simple item record Meyrick, Robert 2008-11-07T10:08:57Z 2008-11-07T10:08:57Z 2004
dc.identifier.citation Meyrick , R 2004 , ' Hugh Blaker: Doing his Bit for the Moderns ' Journal of the History of Collections , vol 16 , no. 2 , pp. 173-189 . DOI: 10.1093/jhc/16.2.173 en
dc.identifier.issn 0954-6650
dc.identifier.other PURE: 81821
dc.identifier.other PURE UUID: 009ad187-2658-47cd-b67f-df40525da7d6
dc.identifier.other dspace: 2160/906
dc.identifier.other DSpace_20121128.csv: row: 689
dc.identifier.other Scopus: 34249366902
dc.identifier.uri en
dc.identifier.uri en
dc.description Meyrick, Robert, 'Hugh Blaker: Doing his Bit for the Moderns', Journal of the History of Collections (2004) 16(2):173-189 RAE2008 en
dc.description.abstract Nowadays Hugh Blaker is remembered only as adviser to Gwendoline and Margaret Davies of Gregynog; it was his taste that influenced the sisters in the formation of their renowned collections of nineteenth-century French art, which they bequeathed to the National Museum and Gallery of Wales, Cardiff. The role of consultant has, however, overshadowed his many other activities; he was also a painter, writer, art critic, museum curator, collector, dealer in Old Masters and, against overwhelming public opinion, an indefatigable advocate of avant-garde tendencies in art. Blaker, passionate and opinionated, ridiculed official conservatism and was an ardent supporter and promoter of young artists: ‘I am trying to do something for the moderns’, he protested, ‘but they won't let me!’ This article examines his significant, and as yet largely unrecognized, contribution to the course of art history in Britain during the first half of the twentieth century. en
dc.format.extent 17 en
dc.language.iso eng
dc.relation.ispartof Journal of the History of Collections en
dc.rights en
dc.title Hugh Blaker: Doing his Bit for the Moderns en
dc.type /dk/atira/pure/researchoutput/researchoutputtypes/contributiontojournal/article en
dc.contributor.institution School of Art en
dc.description.status Peer reviewed en

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