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Browsing Drama and Theatre Research by Issue Date

Browsing Drama and Theatre Research by Issue Date

Now showing items 1-20 of 28

British and Irish Political Drama in the Twentieth Century: Implicating the Audience

Rabey, David Ian (Springer Nature, 1990-11-15)

A critical survey of the development of British & Irish political drama, with particular attention to the changing attitudes of the playwright to his audience & his tactics to engage it in the dramatic & political tensions ...
David Rudkin: Sacred Disobedience - An Expository Study of His Drama, 1959-1994 : Sacred Disobedience - An Expository Study of His Drama, 1959-1994

Rabey, David Ian (Taylor & Francis, 1998-01-29)

* Product Description: Authoritative in its reference to all Rudkin's work for theatre, cinema, radio and television, this profound critical study aims to prompt a reappraisal of his work in current dramatic, theoretical, ...
Paul Claudel's L'Annonce Faite á Marie: A Process of Visionary Revision

Jones, Anwen (2001-04)

The successive versions of L'Annonce faite à Marie reveal Paul Claudel's difficult search for effective dramatic representation of elusive spiritual forces. The early versions reflecting the weaknesses of French Symbolist ...
Gadamer, History and the Classics: Fugard, Marowitz, Berkoff and Harrison Rewrite the Theatre

Forsyth, Alison (Peter Lang, 2002)

Should The Merchant of Venice be staged post-Holocaust? How was Antigone (an icon of noble suffering in the Western liberal humanist tradition) received in Apartheid-riven South Africa? These are some of the questions ...
The Professional Archaeologist and The Aesthetic of Cultural Imperialism in Tony Harrison's The Trackers of Oxyrynchus

Forsyth, Alison (Intellect Books, 2003)
The Professional Archaeologist and The Aesthetic of Cultural Imperialism in Tony Harrison's The Trackers of Oxyrynchus

Forsyth, Alison (Intellect, 2003)
English Drama Since 1940

Rabey, David Ian (Taylor & Francis, 2003-01-23)

English Drama since 1940 considers the bids of successive post-war dramatists to find language and images of remorseless disclosure, appropriate to the public manifestation of sensed crisis and the interrogation of the ...
Wye Plays: The Back of Beyond and The Battle of the Crows

Rabey, David Ian (Intellect, 2004-01-01)

A first volume of plays by a startlingly ambitious and inventive dramatist. The Back of Beyond takes, as its starting point, the route of a sequel to King Lear, in which the surviving Shakespearean characters set out on ...
Beyond Representation: The Drama of Traumatic Realism in Arthur Miller's Broken Glass (1994)

Forsyth, Alison (2005)
Two Against Nature : Rehearsing and Performing Howard Barker's Production of his Play The Twelfth Battle of Isonzo

Rabey, David Ian (2005-07)

The English dramatist/director Howard Barker has, through a unique combination of style, content, theoretical argument and mise-en-scène, persistently countered conventional presumptions and propositions of the supposedly ...
La Fémininité Salvatrice: Paul Claudel and Olivier Py at the 2004 Edinburgh International Festival

Jones, Anwen (2005-10)

Olivier Py's interpretation of Paul Claudel's masterpiece, Le Soulier de satinwas an eleven-hour production staged as part of the Edinburgh International Festival's main programme of events in August 2004. One of the ...
Catastrophic Sexualities in Howard Barker's Theatre of Transgression

Gritzner, Karoline (Brill, 2005-12-01)

Genealogies of Identity examines issues of sex and sexuality across a range of critical and cultural perspectives. The volume considers historically specific discourses of sex and sexuality, their effect within public ...
'No Longer Lost for Words: Antigone's Afterlife'

Forsyth, Alison (2006)

Sophocles’ dramatic depiction of the myth of Antigone (441 BC) has undergone a range of theatrical reincarnations over the centuries, from the tellingly entitled Antigone ou le piete by Robert Garnier (1580) to versions ...
Towards an Aesthetic of the Sublime in Howard Barker's Theatre

Gritzner, Karoline (Oberon Books, 2006)
Ed Thomas: Jazz Pictures in the Gaps of Language

Rabey, David Ian (Wiley, 2006-09-29)

This wide-ranging Companion to Modern British and Irish Drama offers challenging analyses of a range of plays in their political contexts. It explores the cultural, social, economic and institutional agendas that readers ...
Re-defining the Dream on the American Stage

Forsyth, Alison (Cambridge Scholars Publishing, 2007)

The scholars included in this collection sought to indicate more contemporary working definitions for the expression 'American Dream', or rather Dreams. The multidisciplinary selections come from many countries and represent ...
Trauma of Articulation: Holocaust Representation in After the Fall (1964) and Broken Glass (1994)

Forsyth, Alison (2008)
The Theatrical in the Sexual, the Sexual in the Theatrical: Some Parallels and Provocations

Rabey, David Ian (2008-10-01)

This essay opens up seom questions and speculations about recent theoretical paradigms of sexuality (from Sociology, Cultural Studies and Gender Studies), and their points of contact with various elements of theatricality. ...
Performing Trauma: Race Riots and Beyond in the Work of Anna Deavere Smith

Forsyth, Alison (Springer Nature, 2009)

Over the past two decades, theatre practitioners across the West have turned to documentary modes of performance-making to confront new socio-political realities. This has led to an astonishing range of performance styles, ...
Pacifist Antigones

Forsyth, Alison (Cambridge Scholars Publishing, 2009)

Performing Adaptations: Conversations and Essays on the Theory and Practice of Adaptation brings together scholars and artists from across North America and the United Kingdom to contribute to the growing discourse on ...

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