Show simple item record Szmigin, Isabelle Bengry-Howell, Andrew Morey, Yvette Griffin, Christine Riley, Sarah 2017-01-09T23:08:12Z 2017-01-09T23:08:12Z 2017-03-01
dc.identifier.citation Szmigin , I , Bengry-Howell , A , Morey , Y , Griffin , C & Riley , S 2017 , ' Socio-spatial authenticity at co-created music festivals ' Annals of Tourism Research , vol. 63 , pp. 1-11 . en
dc.identifier.issn 0160-7383
dc.identifier.other PURE: 10363946
dc.identifier.other PURE UUID: 085074e8-947f-43d9-a30d-2030c3d340a2
dc.identifier.other Scopus: 85008473997
dc.identifier.other 2160/44445
dc.identifier.other ORCID: /0000-0001-6712-6976/work/48154714
dc.description.abstract From the early days of hippie counter-culture, music festivals have been an important part of the British summer. Today they are commercialised offerings without the counter-cultural discourse of earlier times. Drawing on participant observation, interviews and focus groups conducted at a rock festival and a smaller boutique festival, the paper examines how their design, organisation and management are co-created with participants to produce authentic experiences. The paper contributes to research on authenticity in tourism by examining how authenticity emerges and is experienced in such co-created commercial settings. It presents the importance that the socio-spatial plays in authenticity experiences and how socio-spatial experience and engagement can also be recognised as a form of aura en
dc.language.iso eng
dc.relation.ispartof Annals of Tourism Research en
dc.rights en
dc.subject authenticity en
dc.subject music festivals en
dc.subject co-creation en
dc.subject social-spacial en
dc.subject aura en
dc.title Socio-spatial authenticity at co-created music festivals en
dc.type /dk/atira/pure/researchoutput/researchoutputtypes/contributiontojournal/article en
dc.description.version publishersversion en
dc.contributor.institution Department of Psychology en
dc.description.status Peer reviewed en

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