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dc.contributor.author Nolan, V.
dc.date.accessioned 2018-09-07T18:34:44Z
dc.date.available 2018-09-07T18:34:44Z
dc.date.issued 2019-03-31
dc.identifier.citation Nolan , V 2019 , ' ‘Nostalgia for Infinity’ : Hard Determinism and Hard Science in Alastair Reynolds’ Revelation Space Sequence ' Science Fiction Studies , vol. 46 , no. 1 , pp. 63-81 . en
dc.identifier.issn 0091-7729
dc.identifier.other PURE: 9125871
dc.identifier.other PURE UUID: 8ba8e8bc-fa5b-4d1c-b719-5eb9c58f3da7
dc.identifier.other handle.net: 2160/46944
dc.identifier.other Scopus: 85065559887
dc.identifier.uri http://hdl.handle.net/2160/46944
dc.description.abstract The Revelation Space sequence of Welsh author Alastair Reynolds (b.1966) reads at first as the epitome of so-called hard science fiction, that popular sub-genre of space opera ‘that gets its science right and has a certain hard-nosed attitude’. The sequence contains the loose trilogy of novels Revelation Space (2000), Redemption Ark (2002), and Absolution Gap (2003), standalone novels Chasm City (2001) and The Prefect (2007), as well as the twin novellas Diamond Dogs, Turquoise Days (2003) and the short story collection Galactic North (2006). Set largely during the years 2200 and 2727 (but with the story ‘Galactic North’ concluding in 40,000 AD), the Revelation Space sequence initially confounds reader expectations about individual and group agency and instead seems to propose the irrelevance of free will as a narratological expression of the inviolable physical laws governing Reynolds’s fictional universe. The deterministic nature of the Revelation Space sequence is an aspect of Reynolds’s writing which sets him apart from many contemporaneous space opera authors. Nonetheless, a conflict exists between the inability of his immediate protagonists to alter the fate of the Human race over vast timeframes and the compatibilist (or softly deterministic) efforts of other faceless, futuristic human factions to actively ensure their survival by manipulating the past. Despite the prevalence of deterministic principles, the actions of such figures – in line with current thinking in theoretical physics – suggests that the conscious decisions and consequent actions of individuals and groups can indeed have an appreciable impact, if only on a multi-universal scale, and so Reynolds’s Revelation Space sequence proposes a credible compromise between the determinism described by classical physics and the ‘mere randomness’ offered by quantum mechanics. en
dc.format.extent 18 en
dc.language.iso eng
dc.relation.ispartof Science Fiction Studies en
dc.rights en
dc.title ‘Nostalgia for Infinity’ : Hard Determinism and Hard Science in Alastair Reynolds’ Revelation Space Sequence en
dc.type /dk/atira/pure/researchoutput/researchoutputtypes/contributiontojournal/article en
dc.description.version authorsversion en
dc.contributor.institution Department of English and Creative Writing en
dc.description.status Peer reviewed en
dc.date.embargoedUntil 31-12-20


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